February 2013- Week 2
February 12, 2013
The Lonesome Cowboy
The lonesome cowboy, he’s out on a roam.
With thirty miles of fence to mend, and today’s grown old.
He finds an old cotton tree, says: “Guess here tonight I’ll be…”
He throws down his saddle and poke,
pulls out some hard tack, coffee and a smoke,
and the frayed-edged letter from Maria, the only one who wrote.
The lonesome cowboy, he’ll pass the night away,
The Hotel of a Million Stars, that’s where he likes to stay.
He don’t got no house, don’t pay no rent.
Out on the range, he’s so content.
A new moon’s on the rise, he’s searching the starry sky,
Thinking about Maria, and her boy, who’s got his eyes.
The lonesome cowboy he’s tired, he calls it a day.
Lays down his head to rest, he dreams the night away,
of Colorado, and pasture sweet, tall green grass, wading through waste deep.
On his cow horse with his cow dog, the cowboy drives ’em on,
up to Colorado from New Mexico, he’s dreaming on and on and on.
The lonesome cowboy, he’ll pass his life away.
He’ll be riding herd, and mending fence, he’ll even put up some hay.
He don’t like concrete, it kind of hurts his feet.
His cowboy boots don’t wear even on a street.
There’s just one thing that he wants. That’s to find the love he lost.
He’s whispering to the wind, and he sends her his kind thoughts.
Yea, he’s whisperin’ to the wind, and he sends her his kind thoughts.
Yea, he’s whisperin’ to the wind, and he sends her his kind thoughts.
Going to Maria, Maria…
Espero te, siempre, mi amor, mi amor perdido, Maria…
(I’ll wait for you, forever, my love, my lost love, Maria)
Arthur Davenport’s musical career spans 30 years of songwriting and
performance. He first started playing in the Washington D.C. folk
scene in the 1980’s and then moved on to the southwest scene during
the 90’s while living in New Mexico.
Arthur has been featured on National Public Radio performing his song,
“Lonesome Cowboy,” specially written for a cowboy music compilation
album entitled “‘Round-em Up!” Arthur now lives in Hawai’i where he
has been a house musician at the Hilo Palace Theater for the past ten
years.
************
A LACY VICTORIAN VALENTINE
Sweet Elizabeth
Can you feel the ride and rise of the sun
This mid-February day bucking against
The rusted spur and crumbling saddle of Jack Frost?
We done got the heifers all calved
Mostly in the ice of January nights
I reached into more than one cow
Afraid with the strange pain spewing new life onto the prairie
Turning her calf to touch light.
The coyotes so full of after birth
Gave the wobbly newborns a free pass
To rise and walk with their mothers.
The sun is frisking more each day
And a tired cowboy can hope for a short ride its in warm rays
To ask you to wander with him a while behind the old barn
To that spot I know where the first buttercups each year
Slip up between the patches of melting snow
I put on my new jeans and a clean shirt and my Sunday go to meeting Stetson
Cleaned the mud off my boots and even shined them.
It shore would be nice if you could walk with me
In the mothering breeze near
That weather beaten barn
With its sides testifying for Mail Pouch tobacco
“Treat yourself to the best”
In fading red and yellow painted by a dead hand some half century ago
Persisting like my feelings for you as the years say adios
To yesterday’s yearlings.
I wanted to share this lacy Victorian valentine
My great granddaddy gave my great grandmamma
Here on the ranch,
He warn’t no better with words than I am
But the pink lace and the frills and the buttercups
Would talk his feelings for her a whole lot better than his wind chapped lips
And tongue rusted from the silence of riding alone.
Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.
February 2013- Week 1
February 5, 2013
Ballad Of Rufus Hartz
First time I ever seen her was in the Rodeo parade
Jesse Sue ridin tall by her pa there in the cavalcade
Me I had a right good view, as the clown with the broom and pan
Sweepin’ up them hot horse apples and puttin’ em in the can.
See Billy didn’t have no sons, his wife a long time ago
Had run off one night with a deputy come up from Del Rio.
Since then him and Jesse Sue they run their ranch alone
Hunnert and forty acres of hardpan, flint and stone.
Their ranch raised Buckin’ Broncos for to sell to rodeos.
Mighty tough work, I reckon just ‘bout everyone knows.
Wranglin’ broncs is cowboy tough and it’s easy to git hurt
But Jesse Sue and her daddy never minded dirt nor work.
Now the Rodeo market ever’one knows is pert’ much a bumpy ride
Billy figured just to be safe, he need sumthin’ on the side.
Now hogs is sure fast money, and raisin’ ‘em aint much fun.
But Big Black pigs will market just under a quarter ton.
Big Blacks, was a new kind of breed
Round here they’d never been seen
On accounta them hogs, while they grow mighty big
They tend to git powerful mean.
But the brood sow never quit turnin’ out choats
A reg’lar piggie machine
So when the Rodeo market was cold or flat,
Them pigs paid the bills in between.
They’re fierce them Big Black hogs,
They’ll fuss and fight at the trough
Snarlin’ and bitin’, pushin’ and shovin’
By God don’t them hogs play rough.
So Billy rigged him a feed chute
Then he’d never have to go in.
He’d feed them murderous Big Blacks
Him standin’ outside the pig pen.
Other day I seen her sittin’ tall on her Appaloosa mare
Her hand above her eyebrows blockin’ out the glare
Over by the water tank I was hidin’, layin’ low down in the draw
Of course I weren’t s’posed to be there, on accounta Jesse’s pa.
He’d ordered me off’n their place and he threatened to call the law
He’d seen me a’ peekin through the winder of an evenin’ late last fall.
The man don’t understand there aint no harm in a’ lookin’
Watchin’ through the winder pane at a pretty girl jist cookin’.
Yesterday I seen her it was at Old Gumps Feed and Seed
Helpin’ her daddy Billy, they was stackin’ sacks o’ feed
Slingin’ bags of horse feed from the tailgate to the cab
Pigtails shinin’ golden in a shirt of pretty plaid.
Now Billy’s eye’s don’t see so good, and his hearin’s a total wreck
So creepin’ round the ranch house is much easier than you’d suspect
So tonight I’m gonna slip to her winder, jist to take me a little peek,
And watch the pretty fourteen year old get ready to go to sleep.
Late that night Jesse Sue awakened, them pigs was a raisin all hell
Somthin’ in their food shoot she could hear it clear as a bell
Why was daddy feedin those bruisers there in the dark of the night?
Then the pigs got all quiet, she rolled over and put out the light.
The deputy and the coroner lifted what was left to the ambulance
“Crazy as a bedbug, old Rufus he never had any sense.
And whatcha reckon he was doin’ in Jesse Sue’s pig sty at night
With them hogs was known to be vicious and ever so quick to fight?”
“There ain’t no accountin’ with a bad sort, one like that old Rufus Hartz
Ain’t it awful what them hogs has done, ‘specially to his lower parts.”
Death by accident was the verdict that day at the coroner’s inquest.
In a plain pine box the sheriff and her daddy laid Rufus Hartz to rest.
Gary Ives is a retired Senior Chief Petty Officer who lives with his wife and two
big dogs in the Ozarks where he grows apples and writes.
You can find more of his work and other ramblings here- Gary Ives
All work appearing in Cowboy Poetry Press is copyrighted and belongs to the author and cannot be reprinted or copied without their written permission. Unless artist is specified all photos and artwork are property of Elizabeth Akin Stelling, Managing Editor of Cowboy Poetry Press; please do not use or copy any of them without her written permission. All others are property of photographer and artists, same applies.
December- Week 3
December 20, 2012
Elizabeth Akin Stelling, Managing Editor- CPP traveled to Hawaii this past fall with a quest to find Polynesian Cowboys, and that she did. A chef and poet and sometime photographer her poetry and photography has been published in Referential Magazine, Tuck, Linden Lit Press, Curio, and many others. (photo taken on south side of the big island of Hawaii).
Fat and Sassy
He laughed when he said
I like my women like my horses
Fat and sassy.
I answered
A little hunger’s not a bad thing.
He said, nah
Fat and sassy’s the way to be.
His wife pointed to her geldings
Turned out together in the arena.
The chestnut with the white blaze and two white socks
And the brown with a little star
Kicking up their heels
In a lively
Dusty
Horse dance.
Aren’t they marvelous creatures
She breathed into the wind.
The most marvelous in all god’s creation.
I leaned on the fence
And I watched with her
And I kissed my mare
On her velvet nose
How a woman does love her horse.
Riding Lessons
When I was a girl
I rode horses.
Beneath me
Muscle
Sinew
Coarse hair
Sweat
Horse musk.
Now I am a woman
And I ride young
With equal vigor.
Julia Barrett grew up in rural Iowa. She’s married to the love of her life. They have three amazing children. She’s a writer of poetry and prose, a Registered Nurse and a trained pastry chef. Julia loves to travel and she’s visited or lived in all fifty states. You
will usually find her hiking with her dog or riding her horse. If she’s at home, she’s cooking, baking or writing books. Julia can be reached via twitter: @JuliaRBarrett or her website: http://juliarachelbarrett.net or her Amazon Author page: *http://tinyurl.com/czph8lu*
December- Week 2
December 10, 2012
Call The Fire Joe
Cookie, I know your dark drinkin’ secrets
But you got no notion of mine
So we can talk around this dying campfire
While the moon limps down like a three legged coyote.
I don’t care if some fruity song writer
From New York City claims out here we call the rain Tess, the fire Joe and the wind Maria,
The embers of this fire is burning out nameless
While we hang this last bottle of whiskey
And rehearse our eulogies for its funeral.
Our campfire don’t need no name
Not like our buddies
We drove with on yesterday’s trails
And who are the dust we choke on today.
Cookie, you got even more grey whiskers and fewer teeth than I do
These young bucks snoring away in their bedrolls
Couldn’t handle the whiskey or the truth under this clear black sky
Nor are they even going to appreciate that some of the stars is missing
Since they can’t see yesterday’s sky.
That Jimson boy rides frisky and free reminds me
Of my pardner Joe just after the war
Same strawberry blond hair and easy laugh
We shared many a bottle and many a hard dirty ride
And many a lady at Miss Lucy’s sporting house
But we could only share feelings up to that line
That a real man draws
For fear he will be less of a man.
There was them two ladies
Miss Susan and Miss Elspeth
That Joe and I would pass back and forth
Neither was any great looker
Not like some other younger slim fillies Miss Lucy kept in her stable
I’d go upstairs with Miss Susan and Joe with Miss Elspeth and next payday we would trade across
Older and a bit stockier
They still looked perfect after the whiskey started playing the piano.
They conversed about more than the coins
And the arrival of the next stagecoach
They could see the magenta in the sunset and puce in the cactus blossom
If we weren’t cowboys and needin’ to drive the herds up this Goodnight Loving trail
We might have ridden with them on a good night lovein’ trail of our own
A few cows and an couple quarter sections
Miss Susan could almost see the lace of the sins in my soul
And loved me anyhow
Cotton Eyed Joe
Where did you come from?
Where did you go?
I know where my Joe rode off to
We buried him in Wyoming
Too far from a town to carry his body
I’ve always wondered if I knew then
What I learned in all those starry nights
Silent except for the dust and the voices of the cattle
That there ain’t no great eye of God watching us
Or even if he was
Would even care how close Joe and I could have gotten.
Fearing mostly the scorn of the other young men who was thinking they was going to live forever
And the whuppings from our daddy’s
We high tailed it from any feeling that a silk dress is something purdy
Not just the body of the lady that’s wearing it
After all these years of hard saddles and even harder women
I just wonder if there was some soft place we was missing
Where we might want to bed down for a while
Some place near cool water
Before I sleep with Joe under this hard prairie soil.
Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.
December- Week 1
December 4, 2012
John H. Dromey was born in northeast Missouri. He’s had a byline (for brief, humorous items) in over one-hundred different newspapers and magazines. Once upon a time he had light verse published in Grit, Hoofs and Horns, Light, the Wall Street Journal, and elsewhere. His cartoons have appeared in Bowhunter and Farm Antiques News (no longer published).
*******
Crossing The Bar
Walt Blake’s foreman Bill Kelly advised Jake McCarthy that Walt wanted to see him.
Jake inquired, “How’s he doing?”
“Not well. Molly’s doing a great job of nursing, but it’s a race against cancer and it is winning.”
“Thanks, Bill.”
Jake drove his F 350 fast down US 50 to the Blake Ranch (the Lazy B). Molly greeted him warmly and brought him in to see Walt.
He barely sat up in his rocker, “Amigo, how goes it?”
“It’s fine with me Walt, but how about you?”
As customary Walt was to the point, “I’m dying Jake!”
Jake reacted naturally, “Oh, I’m so sorry Walt.”
“Don’t be. We owe God a death and mine is coming up.”
Jake shook his head—already incredulous that this fine man would soon be gone. No more hunting, no more fishing, no more wise counsel and no more Jack Daniels on Walt’s back porch. It was time to shrug off his morbid mood—try to cheer Walt up.
Jake grinned, “Walt I’m missing you already. Will you send me a letter about what it’s like on the other side of the bar?”
Walt laughed with some difficulty, “Same old Jake. Sure young amigo, the letter will come by turtle doves, or still smoking.”
“Well my friend, the Almighty is getting a damn fine man.”
“Thanks Jake for the compliment. I hope the Almighty will be forgiving.”
Molly was listening as Walt declared, “I know that I’m hard to replace, but I’m sure she can find a young stud.”
Molly remarked with a grin, “He’s out in the barn now dear.”
Walt declared, “You see why I’m better off on the other side
Let’s seal our business deal with a bit of Mr. Jack. You too Moll.”
Molly protested, “It’ll kill you sweetheart.”
Walt riposted, “Better now with friends than tomorrow alone.”
They all had two shots—neat.
Walt Blake died ten days later.
Michael J. Keyser in his formative years spent summers and other free time at the family ranch, the Diamond k located in southeastern Idaho. He graduated from Princeton University with a B.A. in English. While there, he won the John B. Wanamaker Prize for Excellence in English Composition.
Mr. Keyser served as the President of the American Cancer Society, Cuyahoga County Unit. He was also a Park Commissioner in Hudson, Ohio. For several years he served on the Board of the Summit-Portage County Health Systems Agency.
Mr. Keyser has published four works of fiction. His hobbies are writing, walking and woodworking. Mr. Keyser is very active in his church with outreach ministries serving senior health facilities.
“Crossin the Bar (primarily a 19th century phrase) in the Tennyson poem (last stanza) means dying. To navigate over the bar, which could be sand, rock, etc., requires a pilot and good tidal conditions. Spiritually dead and once over the bar, he hopes he’ll meet his Pilot (God) face to face.”
In Wait by Rodney Nelson
November 8, 2012
This review is long overdue, and I apologize for not getting it out sooner- I also hope it will lead you to read this wonderful book of poetry. because Rodney Nelson is a wonderful poet who deserves attention. He is a contemporary western poet who takes you to his land, and the words set you straight.
We were fortunate to get a copy of his METACOWBOY for a review months ago, and were quite pleased adding this wordsmith to our journal list of favorites. Rodney’s new book, In Wait (Night Bomb Press, Portland, Oregon) was not a disappointment.
In my own journey with loss (daughter and parents) over a five year span, very close relations tied to time and place, the emotion drove me down different roads, and I could not write without absolute sadness; Rodney takes you there in a way where loss runs deep, and allows you to sigh, yet take in all its beauty before you look away or move on to the next poem. I only say this because the ‘Authors Note’ made me hesitate my reading.
Nelson possesses a skill that, despite the surroundings and subject matter presented, he makes it never seem like writing is a chore. His beat speaks with a light-hearted but yet descriptive approach, his stops and starts help one smell the roses, a kind of cool touch that makes In Wait a powerful and engrossing read; it is as brilliant as it is sad. Full of his ever matured consciousness as read in METACOWBOY, not between the line clues as you find in mainstream poetry books. This book does celebrate life, and I found myself reading it three times, in a row.
If you have a list as most poets I know do, add this one. And add it to the to for upcoming holiday gifts!
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