December- Week 3
December 20, 2012
Elizabeth Akin Stelling, Managing Editor- CPP traveled to Hawaii this past fall with a quest to find Polynesian Cowboys, and that she did. A chef and poet and sometime photographer her poetry and photography has been published in Referential Magazine, Tuck, Linden Lit Press, Curio, and many others. (photo taken on south side of the big island of Hawaii).
Fat and Sassy
He laughed when he said
I like my women like my horses
Fat and sassy.
I answered
A little hunger’s not a bad thing.
He said, nah
Fat and sassy’s the way to be.
His wife pointed to her geldings
Turned out together in the arena.
The chestnut with the white blaze and two white socks
And the brown with a little star
Kicking up their heels
In a lively
Dusty
Horse dance.
Aren’t they marvelous creatures
She breathed into the wind.
The most marvelous in all god’s creation.
I leaned on the fence
And I watched with her
And I kissed my mare
On her velvet nose
How a woman does love her horse.
Riding Lessons
When I was a girl
I rode horses.
Beneath me
Muscle
Sinew
Coarse hair
Sweat
Horse musk.
Now I am a woman
And I ride young
With equal vigor.
Julia Barrett grew up in rural Iowa. She’s married to the love of her life. They have three amazing children. She’s a writer of poetry and prose, a Registered Nurse and a trained pastry chef. Julia loves to travel and she’s visited or lived in all fifty states. You
will usually find her hiking with her dog or riding her horse. If she’s at home, she’s cooking, baking or writing books. Julia can be reached via twitter: @JuliaRBarrett or her website: http://juliarachelbarrett.net or her Amazon Author page: *http://tinyurl.com/czph8lu*
December- Week 2
December 10, 2012
Call The Fire Joe
Cookie, I know your dark drinkin’ secrets
But you got no notion of mine
So we can talk around this dying campfire
While the moon limps down like a three legged coyote.
I don’t care if some fruity song writer
From New York City claims out here we call the rain Tess, the fire Joe and the wind Maria,
The embers of this fire is burning out nameless
While we hang this last bottle of whiskey
And rehearse our eulogies for its funeral.
Our campfire don’t need no name
Not like our buddies
We drove with on yesterday’s trails
And who are the dust we choke on today.
Cookie, you got even more grey whiskers and fewer teeth than I do
These young bucks snoring away in their bedrolls
Couldn’t handle the whiskey or the truth under this clear black sky
Nor are they even going to appreciate that some of the stars is missing
Since they can’t see yesterday’s sky.
That Jimson boy rides frisky and free reminds me
Of my pardner Joe just after the war
Same strawberry blond hair and easy laugh
We shared many a bottle and many a hard dirty ride
And many a lady at Miss Lucy’s sporting house
But we could only share feelings up to that line
That a real man draws
For fear he will be less of a man.
There was them two ladies
Miss Susan and Miss Elspeth
That Joe and I would pass back and forth
Neither was any great looker
Not like some other younger slim fillies Miss Lucy kept in her stable
I’d go upstairs with Miss Susan and Joe with Miss Elspeth and next payday we would trade across
Older and a bit stockier
They still looked perfect after the whiskey started playing the piano.
They conversed about more than the coins
And the arrival of the next stagecoach
They could see the magenta in the sunset and puce in the cactus blossom
If we weren’t cowboys and needin’ to drive the herds up this Goodnight Loving trail
We might have ridden with them on a good night lovein’ trail of our own
A few cows and an couple quarter sections
Miss Susan could almost see the lace of the sins in my soul
And loved me anyhow
Cotton Eyed Joe
Where did you come from?
Where did you go?
I know where my Joe rode off to
We buried him in Wyoming
Too far from a town to carry his body
I’ve always wondered if I knew then
What I learned in all those starry nights
Silent except for the dust and the voices of the cattle
That there ain’t no great eye of God watching us
Or even if he was
Would even care how close Joe and I could have gotten.
Fearing mostly the scorn of the other young men who was thinking they was going to live forever
And the whuppings from our daddy’s
We high tailed it from any feeling that a silk dress is something purdy
Not just the body of the lady that’s wearing it
After all these years of hard saddles and even harder women
I just wonder if there was some soft place we was missing
Where we might want to bed down for a while
Some place near cool water
Before I sleep with Joe under this hard prairie soil.
Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.
December- Week 1
December 4, 2012
John H. Dromey was born in northeast Missouri. He’s had a byline (for brief, humorous items) in over one-hundred different newspapers and magazines. Once upon a time he had light verse published in Grit, Hoofs and Horns, Light, the Wall Street Journal, and elsewhere. His cartoons have appeared in Bowhunter and Farm Antiques News (no longer published).
*******
Crossing The Bar
Walt Blake’s foreman Bill Kelly advised Jake McCarthy that Walt wanted to see him.
Jake inquired, “How’s he doing?”
“Not well. Molly’s doing a great job of nursing, but it’s a race against cancer and it is winning.”
“Thanks, Bill.”
Jake drove his F 350 fast down US 50 to the Blake Ranch (the Lazy B). Molly greeted him warmly and brought him in to see Walt.
He barely sat up in his rocker, “Amigo, how goes it?”
“It’s fine with me Walt, but how about you?”
As customary Walt was to the point, “I’m dying Jake!”
Jake reacted naturally, “Oh, I’m so sorry Walt.”
“Don’t be. We owe God a death and mine is coming up.”
Jake shook his head—already incredulous that this fine man would soon be gone. No more hunting, no more fishing, no more wise counsel and no more Jack Daniels on Walt’s back porch. It was time to shrug off his morbid mood—try to cheer Walt up.
Jake grinned, “Walt I’m missing you already. Will you send me a letter about what it’s like on the other side of the bar?”
Walt laughed with some difficulty, “Same old Jake. Sure young amigo, the letter will come by turtle doves, or still smoking.”
“Well my friend, the Almighty is getting a damn fine man.”
“Thanks Jake for the compliment. I hope the Almighty will be forgiving.”
Molly was listening as Walt declared, “I know that I’m hard to replace, but I’m sure she can find a young stud.”
Molly remarked with a grin, “He’s out in the barn now dear.”
Walt declared, “You see why I’m better off on the other side
Let’s seal our business deal with a bit of Mr. Jack. You too Moll.”
Molly protested, “It’ll kill you sweetheart.”
Walt riposted, “Better now with friends than tomorrow alone.”
They all had two shots—neat.
Walt Blake died ten days later.
Michael J. Keyser in his formative years spent summers and other free time at the family ranch, the Diamond k located in southeastern Idaho. He graduated from Princeton University with a B.A. in English. While there, he won the John B. Wanamaker Prize for Excellence in English Composition.
Mr. Keyser served as the President of the American Cancer Society, Cuyahoga County Unit. He was also a Park Commissioner in Hudson, Ohio. For several years he served on the Board of the Summit-Portage County Health Systems Agency.
Mr. Keyser has published four works of fiction. His hobbies are writing, walking and woodworking. Mr. Keyser is very active in his church with outreach ministries serving senior health facilities.
“Crossin the Bar (primarily a 19th century phrase) in the Tennyson poem (last stanza) means dying. To navigate over the bar, which could be sand, rock, etc., requires a pilot and good tidal conditions. Spiritually dead and once over the bar, he hopes he’ll meet his Pilot (God) face to face.”
In Wait by Rodney Nelson
November 8, 2012
This review is long overdue, and I apologize for not getting it out sooner- I also hope it will lead you to read this wonderful book of poetry. because Rodney Nelson is a wonderful poet who deserves attention. He is a contemporary western poet who takes you to his land, and the words set you straight.
We were fortunate to get a copy of his METACOWBOY for a review months ago, and were quite pleased adding this wordsmith to our journal list of favorites. Rodney’s new book, In Wait (Night Bomb Press, Portland, Oregon) was not a disappointment.
In my own journey with loss (daughter and parents) over a five year span, very close relations tied to time and place, the emotion drove me down different roads, and I could not write without absolute sadness; Rodney takes you there in a way where loss runs deep, and allows you to sigh, yet take in all its beauty before you look away or move on to the next poem. I only say this because the ‘Authors Note’ made me hesitate my reading.
Nelson possesses a skill that, despite the surroundings and subject matter presented, he makes it never seem like writing is a chore. His beat speaks with a light-hearted but yet descriptive approach, his stops and starts help one smell the roses, a kind of cool touch that makes In Wait a powerful and engrossing read; it is as brilliant as it is sad. Full of his ever matured consciousness as read in METACOWBOY, not between the line clues as you find in mainstream poetry books. This book does celebrate life, and I found myself reading it three times, in a row.
If you have a list as most poets I know do, add this one. And add it to the to for upcoming holiday gifts!
October- Week 4
October 23, 2012
Bareknuckle
He wrapped a bandage tight around his battered knuckles
to stanch the flow of blood. His buddies ponied up
the cash to keep his pitcher full of beer, their chuckles
inviting him to tell again about the whup
he’d laid on that there thief, the way he went and slugged
the noisy little dude that interfered with his
prerogative to hear the song he picked. While drugged
with alcohol, he’d made it his especial busi-
ness setting matters square by punching out the lights
that darkened his already ugly mood. Fort Knox
would barely cover debts owed on his ranch—his sights
lit on the quarter stuck inside that damned juke box.
C.B. Anderson, the longtime gardener for the PBS television series, The Victory Garden, spent his formative years in Blue, Arizona where, in the late 70’s, he worked for neighboring ranchers (Clell & Katharine Lee) at the stupendous rate of $5/day. He has castrated many a bull-calf and eaten the grisly harvest that was grilled on site atop the rusty iron cylinder in which the branding irons were heated red-hot by a propane torch. His poems on other subjects have appeared in many print and electronic journals internationally.
********
The Cowboy Who Counted the Stars
At days tattered close, head nodding to rest
His ride for the day is now done,
He thinks of the hours whose total won’t count
“Cause he only gets paid sun to sun.
His eyes shift above a duster of red
That rakes blowing sand from the wind,
He’s glad day is made but knows in his heart
Before long, another begins.
Reins still in his hand he steps to the ground
Tipping his hat with a nod,
He lets go the cinch to bring back the breath
Then takes stock of the four that are shod.
The dust billows free as he raises a leg
And gives his worn boot a good stomp,
His horse now at ease as it chases the ground
Looking for some sweet grass to chomp.
With care, a brush, and sure measured strokes,
To her mane and her flank and her withers,
Sweeping tangles and brambles, knotting the tail
She speaks thanks to him when she shivers.
Deep purples and reds are all that remain
Of the sky that was painted pure blue,
The sun cutting west will be dipping below
As night waits to answer its queue.
Hobbling his mount to the picket line
He knows she’ll be safe for the night,
Covering his traps with a dusty ole tarp
Resting easy, ’cause all is put right.
Upon a soft meadow his bed is unrolled
Then he studies a vast sparkling sky,
He asks if there was ever a count,
Of the stars ’cause it takes a sharp eye.
Repeating the question for no one to hear
Thinking, “Cowboy, now how can this be,
That no one has counted the lights in the sky
Are they leaving it all up to me?”
Begin the tally from a well-chosen point
Should you have to start over it’s plain,
The northern star on the handle shines bright
To preface your celestial domain.
The counting established with nary a slip
He knows he’ll not stop ’til its penned,
With thousands to reckon he can’t miss a one
At least, that is what he intends……
Darkness now past, the camp’s in a stir
As the riders crawl out of their rolls,
Saddles are creaking, horses are speaking
Big Augur recalls these poor souls.
Rousted from sleep, he’s not quite awake
As he raises an eye toward the heavens,
He remembers the count of nights’ flickering lights
But was sure there were more than eleven……
Robert L. Penven Sr. 70 years of age, the patriarch of a rather large family/grand kids included. He served in the United States Marine Corps from June 1961 to January 1966. Honorably discharged at the time of separation. From 1967 until 1992, and served with the New Jersey State Police as a state trooper. Since the time of retirement Robert has taught tennis under the auspices of the United States Professional Registry, and has been employed as a finished carpenter and later years an assistant to an airplane mechanic. Hobbies are many, aversions are few. He likes writing stories and poems, and this is his first real publication, but he did submit poetry to his college magazine in 1975 and it was published for the benefit of the student body, probably not so much for himself. Now you know more about Robert Penven than you probably should.
*******
October- Week 3
October 16, 2012
‘Liquid Cowboy’
Michael Baca is an art teacher in New Mexico and also Cowboy Poetry Press Art Editor in his spare time, outside of his own painting and sculpting.
*******
Cloudbusters
Gloria held happiness
in a blue calico bag
resting between her breasts,
those crests of flesh spilling
out of a brown linen dress
hiding a corset and pantaloons
of French flowered lace.
She marched to the tune
of the Pied Piper of Mirth,
to the dance of chance
to honeyed notes of a sonnet
pressed in a book
in a secret pocket
where love’s call rang out,
out of tune.
Her smile chased clouds
from the sky till the crops
went dry. Then the cry
for rain brought the rainmaker
to town, a cloudbuster with bluster
and a mustache he’d stroke
to stoke passion in young women.
His words were a potion
and Gloria fell into his pocket
for burnt kisses, promises
of wind chimes on a prairie porch,
a mule to pull the plow,
a child to tug at her pink
gingham skirt.
She never spoke sorrow
till that rainmaker came
to steal her calico pouch,
sack her pocket of poems
with his kiss of bliss,
then run to chase rain
in another sky.
********
Memory and Sacrifice
I can still smell
the kerosene lamps
in my father’s house,
their soft glow
illuminating
my grandmother’s
harmonium like dusk
in late summer.
The top was cut down
for the journey
across the plains―
the excess wood
first to be burned
along the trail.
Justin Evans was born and raised in Utah, but now I live in rural Nevada with my wife and three boys, where I teach a variety of subjects at the local high school. I have been in the military, graduated from Southern Utah University with a degree in History and English Education, as well as a Master’s Degree from University of Nevada, Reno. I have published four chapbooks and the full length poetry collection, Town for the Trees (Foothills Publishing, 2011). I have poetry forthcoming in Weber—The Contemporary West. I also edit the on-line journal, Hobble Creek Review.
*******
Dakota
I buried Dakota in her favorite dress,
calico snug, said a prayer that I’d never
have another daughter born in a black blizzard.
I looked out over the clay gullies,
the impossible fossils rising like
hands. Flung her floppy sunhat over
the empty coulee. The dog barked.
In time, her pups would fetch it, bring it
back to the ranch. As if they knew something
by sheer dog sense. I looked East,
prayed for sorghum and flaxseed,
sunflower and milk-veined maidens.
Saw Dakota in the parting lips of clouds,
low and moving over drought and badlands,
saw her pantomime and sway
before the young moon,
her voice over the Cheyenne,
over cottonwood and willow
gently mocking me, the way it did
when she pressed my hands to her cheeks,
she, so numb from the cold, from chasing
the sheep that strayed. On top of this
bare hillside, I looked everywhere,
hoping for a sign of the next harvest.
It would keep me above ground,
this body of sod, mind of open spaces,
for another year.
Kyle Hemmings is the author of several chapbooks of poetry and prose: Avenue C, Cat People, and Anime Junkie (Scars Publications). His latest e-books are You Never Die in Wholes from Good Story Press and The Truth about Onions from Good Samaritan. He lives and writes in New Jersey.
October- Week 2
October 10, 2012
INGALLS LOST LEDGE OF GOLD
Sister Elizabeth, I am sure
Your telling me the truth like the real lyrics
To dead Duane Allman’s song “Sweet Melissa”
Was most well intentioned.
But I want you to know how deeply it has changed
My feelings back here at the ranch.
I still get up at three in the morning most winter days
To be sure that the water troughs ain’t iced over
And the cows and yearlings have enough fresh hay to make it
Through the raspy days
And when the sky shades into the blue of my dead wife’s eyes
I can still see the peaks of the Cascades some hundred miles or so to the west
Capped with snow and concealing
Old Ben Ingalls lost ledge of gold.
I would lie there whole in the hot July night
Next to my lost wife in the year before my oldest boy was born
Listening to poor dead Duane’s slide guitar
Convinced he was singing of finding the dead man’s gold
And now with your fancy internet and irresistible force for truth
You proved to me that he was singing about the cross roads concealing the dead man’s ghost.
Do live men have ghosts?
I’ve talked to old Ben Ingalls ghost in my dreams
His blue woolen uniform gold oak leaf on his shoulder strap
And he showed me the three small lakes
And the angle of the ledge of solid gold
Wrapped in the alpine firs and western hemlock
In the canyon up in that Cascade valley
More than once as I slept
He tells me I have been chosen to claim the yellow dream of easy living
And spread its goodness around my world.
But sister you know as well as I, having chased dreams of your own
That the cutting and the roping and binding the calf ends the race
And the race is what we live for.
That song gallops around and around in my head
As I load steers to the stockyards
And trot through my chores each day
Some day I’m going to climb that mountain
Old Ben Ingalls by my side
And I’m going to find our ledge of gold
Before Ben and I posse up and we ain’t gonna let the crossroads hide us
We’ll find some other young buck to haunt
But we ain’t going to tell him the real lyrics
To our song.
He can hear what he needs to hear.
Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.
*******
The Guardian
It was a lonely hilltop
where the prairie grasses played,
tossed by the winds of summer
and barren of any shade.
From that grand promontory
one could see a distant home
rising from the prairie sod
and the land where cattle roam.
To the west the land stretched on…
waves of grass, a moving sea,
splashing on a sandy shore
too distant for man to see.
The river, off to the south,
shrunken from the springtime flood
with waters now running blue,
and no longer filled with mud.
But that view was overcome
by a mound of new-turned soil
and a wee fist of daisies
that marked a poor digger’s toil.
Guarding that lonely hilltop
a small home-made cross now stands,
marking one more sacrifice
to hardship on prairie lands.
The sod home seemed empty then
but the rancher toiled on
glancing very frequently
t’ward the place his love’d gone.
From: Sun, Sand & Soapweed, ©2005
Clark Crouch is a self-proclaimed Poet Lariat and a prize-winning western and cowboy poet, author, lyricist, and performing artist. He admits to a bias toward traditional cowboy poetic forms. The author of eight books poetry, six of which are devoted to western and cowboy verse, he is a two-time winner of the prestigious Will Rogers Medallion Award for Cowboy Poetry and a five-time finalist in the annual Western Music Associations book award competitions. He wrote his first prize-winning poem at age eleven but never got around to writing more until 2001 when he was 73. Shortly thereafter he started writing and performing professionally.
*The Guardian*
/This poem was one of twenty “living documents” selected by a Fifth Grade Teacher in Page, Arizona to help her students understand the Westward Movement in the U.S. She received a “best classroom practices award” for her innovative approach./
October Issue- Week 1
October 4, 2012
About photo- “In addition to getting up at 2 AM, we have huge ranches in Az and NM. The ranch we were working cows is 206 section ranch. The border splits the ranch in half and has to run different brands. We get up at 2 to feed the cow horses and we are all up, dressed, most of us anyway, saddled and mounted by 4:30 AM. It takes us about 45-one hour to get the herd where we gathered them (10 section trap) and we wait for sun up. At sun rise they want water and we drive them about 10 miles to the corrals and water. Then we sort off the mother cows. We rope and drag the yearling to the fire for shots, ear tags, brands and if it’s a bull calf I cut them. We then let the calves mother up and we push them all back to good pasture, then ride back to headquarters. It is usually a 2Am – 8PM day.”
M. C. Hudson was born in Tombstone, Arizona and has lived and loved the life of a cowboy for most of his life. He is an ex-bull rider, who has lived to tell about his experiences, and has helped train youth to ride bulls. As a pastor of a rural church and setting in SE. AZ Mike has worked many of the larger ranches in Arizona and New Mexico, gathering cows, doctoring, sorting, branding (cutting-seems to be the job for a pastor) and roping. He is also embarking on a journey into writing poetry and prose, and was chosen for the October 2012- week 3.
*******
Dragging Me Down
Our raft was sinking thirty yards off Wild Horse Island. That bastard Rollie had been dragging me to the Island for six months, and this is how it ended. We had busted ass over sixteen square miles nearly every night and everything we had to show for it was sinking.
The shadow of Wild Horse Island loomed over us, even in the dead of night. She was laughing at our private disaster because she knew we had stolen from her.
“Damnit Warren, help me bail.” Rollie was trying to scoop water with his hands.
“It’s gone. We gotta start swimming. Sun’ll be up in an hour and I ain’t getting caught by Tribal Police.” Trespassing on Indian land came with stiff retribution, but Rollie didn’t care. And Rollie did enough not caring for the both of us. He kept scooping.
“Rollie, it’s not gonna’ work. The damn thing weighs four hundred pounds. We can’t swim with that. Hell, it sank the raft.” I took him by the shoulders and stared him straight in the eye. “I’m going.”
I slung my pack and hit the water. The shock of cold sent my testicles into the furthest recesses of my gut and I struggled for my next breath. I used it to holler at Rollie to swim before I started myself. The mainland shore was a quarter mile off and my clothes were already heavy.
“Warren, come back. We can’t let it go.” I know Rollie would have gladly sunk along with the cargo. As it was, he was fighting to stay up, still clinging to the crudely constructed raft. But it was going, and there would be no stopping it. Our treasure was just too heavy.
I paddled over to Rollie who had just managed to grab his bow off the raft in its last seconds above water. He was treading water now, still staring down into the water after his prize.
“Wish we hadn’t killed it,” I said. “I had more fun chasing the thing every night. It was huge.” Now it was dead and headed to a resting spot two hundred feet below the surface, but I didn’t bother saying that.
“It was either me or that ram. It used to see it in my dreams, Warren.”
“I’m just glad it wasn’t you and the ram.”
I peered down into the depths, wondering if I’d be able to see the one-and-a-quarter curl on its way to the bottom. But it was four-thirty in the morning and that would have been impossible. I grabbed his arm and started for shore.
Nate Wilkerson currently is a resident of Portland, Oregon, has attend school at Marylhurst University, and now works for the YMCA child care division. I have had poetry published in A Plains Paradox Literary Journal in 2011.
August Issue- Week 4
August 20, 2012
‘Fire’
Alice Humphrys resides in Florence, Texas on the family ranch helping brand and manage their horses along with dogs, sheep, and many other livestock.
*******
Way Back
Snow in an empty field hovers like a thick layer of fog
over dull green and brown grass in need
of the sun’s restoration. Rivers of snow
collect, the rest of the field brown, bare.
Another field is white, the snow’s covering
sporadic, choosing the places it touches.
Tomorrow it might be gone. For now it lingers
with months of refuse—plastic bags hooked
on corn stubble, boxes that were buried by snow.
Water, high in ditches, currents strong,
sounds like rustling bags. She removes
her white hood, frees
her long brown hair, unzips her jacket,
lets it flap when her horse gallops.
Hoof prints indent the malleable ground, leave
a new trail beside the old.
She is a torn bag left in an abandoned
field, miles from home,
trusting a weary horse to help her
find her way back.
Dawn Schout’s poetry has appeared in more than two dozen publications, including *Fogged Clarity*, *Glass: A Journal of Poetry*, *Muscle & Blood Literary Journal*, *Pemmican*, *Poetry Quarterly*, *Red River Review*, and *Tipton Poetry Journal*. She won the B.J. Rolfzen Memorial Dylan Days Writing Contest, the Lucidity Poetry Journal Contest, and the Academy of American Poets’ Free Verse Project. She lives near Lake Michigan.
*******
Driftwood
Driftwood is a sane representation of the human condition.
Its withered flow speaks to us of the ‘ragged glory of time’.
We’re dull, grey, and smoothed out, as the driftwood, made
to solemnly wash up on anonymous shores;
a sage artifact of the ‘general passage’
that delivered us.
Dan Hedges teaches English in the Sir Wilfred Laurier School Board of Quebec. He has also taught at Sedbergh School, and the Celtic International School. He has lived in international locales, including Spain and Mexico. His writing has appears or is forthcoming in The Monarch Review: Seattle’s Literary and Arts Magazine, Ditch Poetry, The Maynard, The Camel Saloon, Wildflower Magazine, Rigormortus, Fortunates, Inertia, Crack the Spine, Short-Fast-and-Deadly, Coatlism Press, Whole Beast Rag, Marco Polo Arts Magazine, Kenning Journal, The Rusty Nail, Wilderness House Literary Journal, Retort Magazine, Certain Circuits, Touch Poetry, Poetic Diversity, Haggard and Halloo Publications, Jones Avenue Quarterly, Blink Ink, Greensilk Journal, Literary Chaos, Subtopian Magazine, The Euonia Review, Undertow Magazine, The View from Here, Nazar Look, The Apeiron Review, and Mad Swirl. Dan is the editor of a literary collective called Humanimalz.
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