October Issue- Week 3

October 14, 2013

monsoonrainsSanPedroValley

Monsoon rains of San Pedro Valley, “The territory comes alive after the rains, everything turns as green as you can see.”M. C. (Mike) Hudson was born in Tombstone, Arizona and has lived and loved the life of a cowboy for most of his life. He is an ex-bull rider, who has lived to tell about his experiences, and has helped train youth to ride bulls. As a pastor of a rural church and setting in SE. AZ Mike has worked many of the larger ranches in Arizona and New Mexico, gathering cows, doctoring, sorting, branding (cutting-seems to be the job for a pastor) and roping. He is also embarking on a journey into writing poetry and prose, and was chosen for the October 2012- week 3. You can spot his photos all about CPP if you just explore…

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THE COUNTRY MILE

Mixed with tobacco juice
And red summer clay
It came from the edge
Of the cornfield
The clout that soared
Past the unplowed field
Smashed into the red barn
Scattering the cawing crows.

Clinton Van Inman (TBA) 

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APACHE

“When I was young, I walked all over this country;
east and west. I saw no other people than the Apache.
After many summers, I walked again, and found another
race of people had come to take it—how is it?” -Cochise

We wished only to speak sunlight into our hearts.
To follow mountain spirits toward ‘The Giver of Life.’
To own nothing, and everything—bow to no man.

Now, our mesquite and cactus are barren. We carry
life on our fingernails and wait to die.

Kevin Heaton  is originally from Kansas and Oklahoma. He now lives and writes in South Carolina. His work has appeared in a number of publications including: Raleigh Review, Foundling Review, Beecher’s Magazine, The Monarch Review, and Mixed Fruit. His fourth chapbook of poetry, ‘Chronicles,’ was published by Finishing Line Press in 2012 . He is a Pushcart, Best of the Net, and Best New Poets 2013 nominee.

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The Alien Invasion Tapes, #87

It was back in ’63 they set down in my wheat field, and I was too damn angry to be scared. I knew that crop was gone and it wasn’t a thing anyone could do about it. When they come out of their spaceship—no, no it wasn’t a door that swung down like on a castle,
but a giant car door, like on my Buick?—they come out, three of ‘em no taller than my knee,
and just stared at me, no expression in those big glassy eyes, no sorrow for what they done to my field.

“We come in peace,” they said without sayin’ it out loud but I heard it in my head, and I looked at my flattened, withered wheat and said, “The hell you do.”

Have you ever seen mangled wheat, the stalks cracked, the feathers singed? A whole season: It’s enough to make you cry. And I did, standin’ in the middle of my broken field with those three aliens, wellin’ up, the door to their giant ship propped open, a sickening light pourin’ from inside and slicin’ across my barren field like a knife. They do somethin’ like rock, paper, scissors and one come over and tells me I’m supposed to be some kind of alien ambassador. 100 acres, gone, the exhaust from their craft fellin’ my crop like a tornado, the shoots fallin’ like dominoes, like ambushed soldiers, the stink pourin’ into my nostrils.

“You fellas best be on your way,” I said as patiently as any man who just lost his livelihood can, and for the first time they look around. Sure I think they’re doin’ damage assessment, conjurin’ a way to bring the wheat back, and I picture those fuzzy stalks risin’ like an army of mini Lazaruses across the dead plain, work hard to send that image to them with my mind. But they’re fixed on somethin’ else now, and it’s Tessie, comin’ toward us, haunch-slow, jaws workin’, wheat cracklin’ beneath her bovine hooves. I point to her, my prize heifer, shake my head and give them a firm “NO!” But Tessie and the aliens, they’re starin’ at one another, stock still, as if hypnotized. And even today I wonder what they said that made her walk right past me, through the blade of sharp light and into that shiny crop killin’ machine: You’ll be happier with us, He don’t appreciate you, YOU are the true alien ambassador. So that’s how I lost my wheat and my cow in the same hour.

The man from the insurance company, he don’t believe me, but I know you do. You see this stuff all the time, so I was hopin’ you could talk to ‘im, tell ‘im about the giant car door, the two-foot Martians, a prized cow that trundled, hooves clickin’, into another dimension.

Dorene O’Brien has appeared in the Connecticut Review, Carve Magazine, Connecticut Review, New Millennium Writings, The Cimarron Review, the Chicago Tribune, Detroit Noir and others. She has won the Red Rock Review’s Mark Twain Award for Short Fiction, the New Millennium Fiction Award, and the Chicago Tribune Nelson Algren Award. Her stories have been nominated for two Pushcart Prizes, and she has won the international Bridport Prize and has received a creative writing fellowship from the National Endowment for the Arts. Dorene’s short story collection, Voices of the Lost and Found, won the USA Best Books Award.

October Issue- Week 2

October 7, 2013

Bison_skull_pile_edit

Author Unknown- Photograph from the mid-1870s of a pile of American bison (high plains) skulls waiting to be ground for fertilizer. Courtesy of the . |Source=http://www.raeky.com/bison/, originally Burton Historical Collection, Detroit P

Its a shame what our ancestors did, used up what we could, even the land. Once a plot of land yielded gains for the farmer, they moved on further west and began again, as opposed to alternating planting and letting land rest for a season.

************

Glance Bandit

I tried to steal them constantly—in rearview
mirrors and staggered side by side, through
the screened-off window of a trailer
in your backyard. I wanted to slip
where you slept, purposely forget
to pack an extra sleeping bag
forever, and bust my mouth up
until please don’t go so far from me
sounds something like: I hope you love
California. You will love California.
Dig any hole you want.
I will come to you.

Lily Goderstad obtained her MFA in poetry from The New School. Her work has appeared in The Best American Poetry Blog, and is forthcoming in Dark Matter Journal and Vine Leaves Literary Journal. She currently lives in Queens, NY.

************

BUS RIDE

Down the road,
a young boy walking in the dust.

A bus passes, whizzing by,
upsetting the cows and the flies.
‘I wonder where it’s going,
could it be Japan, or maybe Mexico.’

‘I’d like to see a bullfight.
Or maybe London,
with the funny-looking hats.’

‘Or Rome, or France.
Oh well, maybe just even Texas.’

He continues
down the road,
walking in the dust,
with only six pennies
and a rock in his pocket.

Mike Tupa began writing poetry at age 16 — during a car trip along a leafy, mountain road — and hasen’t kicked the habit since. A two-year church mission in Italy, a four-year active duty stint in the Marine Corps and four years of college haven’t cured him of any literary affliction. Some of Mike’s other publishing credits include poems printed in the Wilderness House Literary Review, Calliope Poets & Writers, and the Write Place at the Write Time.

October Issue- Week 1

October 1, 2013

Tombstone

Tombstone- ‘Town Too Tough To Die’

Managing Editor, Elizabeth Akin Stelling visited Tombstone in 2010, and survived the heat, or was it the OK Corral reenactment…

Tombstone was founded in 1877 by a prospector named Ed Schieffelin.   Ed was staying at what was then called Camp Huachuca (wa-chu-ka) as part of a scouting expedition against the Chiricahua (chir-i-cow-uh) Apaches.   During his time there he would venture out into the wilderness “looking for rocks”, all the while ignoring the warnings he received from the soldiers at the camp.   They would tell him, “Ed, the only stone you will find out there will be your tombstone”.   Well, Ed did find his stone.   And it was Silver.   So, remembering the words of warning from the soldiers, he named his first mine The Tombstone.

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WHITMAN REVISITED

When I heard the learned astronomer
From proofs and charts and periodic tables
H&R diagrams, overheads, and visuals,
With power points to show the history of stars
From flowers to quarks to quasars,
To the theory of everything
As all greatest mysteries unfolded
From hydrogen to hogs, to Hectors,
And among all the applause, I felt sick
And arose and went outside for some fresh air
Where looking up I beheld the silence of the stars
Until I realized I was in the planetarium.

Clinton Van Inman Born in England, BA 1975 San Diego State University, high school teacher in Tampa, lives in Sun City Center, Fl with his wife Elba. One of the last Beats still standing and still banging the drum (slower now) for the Cause.

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I Wasn’t Born a Cowboy

I wasn’t born a cowboy, but I’ve done my level best
to earn the right to be called one today
I’ve shoveled up the stalls, unloaded tons of feed and hay
I’ve even milked some cows along the way

My childhood home was not a ranch, though on the country side
we had a few ol’ chickens and of course
I rode my bike for several miles each day come rain or shine
so I could care for my beloved horse

I didn’t have a thousand acres, or a herd of cows
but I could rope and tie a “Bramer” calf
And I could nail the shoes on dang near any horse around
been throwed and every time I climbed right back

No, cowboys may not all be born, cause some of us are made
like poor folks who grow up and make their way
To fame and fortune, that’s how cowboys do it, difference is
we don’t get rich like them, just draw our pay

I’m proud to call myself a cowboy and I know for sure
that others who have earned the right will say
That nothin’ good comes easy, but you hang on for the ride
get bucked off, get back on, the cowboy way…

Smokey Culver was born and raised in southeast Texas, and has lived there all his life. He writes music and poetry about whatever comes to mind, mostly farmers and ranchers and down home folks. The Lord has blessed him with an ability to put thoughts into words that generally make sense, and even stir up emotions sometimes. I have recently joined the board of directors of Musicians, Artists , Authors, Poets, and Storytellers (MAAPS) of Texas as the person to oversee the cowboy poetry issues. My poetry link- Smokey Culver via FB

February 2013- Week 4

February 25, 2013

SONY DSC

The Shooting Star

Midnight splendor

Tell me cowboy,

what was your wish?

Stars shoot first

and ask questions later.

Virginie Colline is a French translator living in Paris. You can read her latest poems in

*Seltzer*

*BRICKrhetoric*,

*Winamop and *Yes, Poetry*

******************

*/Paniolo/*

by Clark Crouch

He’s a paniolo

on a volcanic range

minding herds of cattle,

it’s really not so strange.

He’s a paniolo

on these, the lava lands.

He’s a paniolo

far from the beach’s sands.

His ranch is quite ancient

from ‘fore the Texasrange;

from eighteen nine ’til now

there’s been so little change.

His ranch is very large…

puts other spreads to shame;

multi-thousand acres

brings paniolo fame.

His ranch is furtherest west,

and off the continent,

three-thousand miles away

on an isle of content.

There on the mount’nous slopes,

his herds of cattle roam.

He’s a paniolo;

Hawaiiis his home.

Aloha paniolo

on the lava lands.

Aloha, paniolo

 

February 2013- Week 3

February 18, 2013

Untitled-2

“illo: cowboy-coat=scratch.
It’s well known that an artist becomes more popular by dying, so I’m typing this with one hand while pummeling my head with a frozen mackerel with the other. I’ve done art for several magazines, newspapers, websites, commercial and governmental clients, books, and scribbling – but mostly drooling – on tavern napkins. I also create art pro bono for several animal rescue groups. I was awarded the 2004 James Award for my cover art for Champagne Shivers. I recently illustrated the Cimarron Review, Stories for Children, and Still Crazy magazine covers. Take a gander ( or a goose ) at my online gallery: _www.angelfire.com/sc2/cartoonsbycartwright_ (http://www.angelfire.com/sc2/cartoonsbycartwright) . And please hurry with your response – this mackerel’s killin’ me! Your pal, Steve Cartwright

Heartache and Pards

His words were plain and to the point,
“Sometimes this life just sucks.
She does her best to throw ya down,
She boogers and she bucks.”

The cowboy knew the trail I rode,
The steep and rocky way.
I came for lies and platitudes,
But truth was all he’d say.

“You’re gonna hurt a good long time,
Ain’t nothin’ can be done.
You’ll ride awhile in blackest night,
Before ya see the sun.

The pain you feel ain’t nothin’ new,
Just look around, and know,
That scores of riders up ahead,
Have passed the way you’ll go.”

His thoughts were far from comforting,
Not what I came to hear.
His kindness smoothed their edges though,
And helped to calm my fear.

“There’s some will buckle to the test,
Some barely make it through.
But you, you’re tough. You’ll be just fine.
I’ve seen what you can do.

Remember that I’ll be right here,
When livin’ feels too hard.
If you should ever need a friend,
Just holler for yer pard.”

Debra G. Meyer’s was born in Brooklyn, New York, where she spent the first 10 years of her life. Her family then moved to Crane,Indiana. Debra married in 1974 at the age of eighteen, finished her education at Indiana State University in 1977, and by the age of 30 had two children and a job teaching elementary school. She wrote my first cowboy poem in 2007 after visiting a cowboy gathering in Fort Worth, Texas. Now 57 years old, have a small farm in Putnam County, Indiana, still teach school, and absolutely love writing cowboy poetry.

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GUN FIGHT AT THE DIAMOND K CORRAL

It was one of those days at the ranch when you sensed something was going to happen—something fun but probably slightly dangerous. Grandpa, Uncle George and I were gathered on the back porch of the Bachelor Shack. On the agenda was a shooting match with the usual hyperbole regarding one’s expertise. Grandpa raised the ante to a bottle of Uncle George’s Courvoisier to the winner or, in the unlikely event that he lost, the same prize which he would obtain at the bar of the Rogers Hotel in Idaho Falls. Grandpa was generous and offered Uncle George a small victory sip. My uncle was “powerful annoyed” because first his cognac was dearer than life and second there was a strong possibility that his Dad would out shoot him. Furthermore his Dad knew exactly how to gore his ox. The shooting was over before it started. It wasn’t even close as the “hawkeye” punctured ten out of ten tin cans at 75 yards.
Uncle George was very unhappy and Grandpa was doing his best to restrain his gloating about his smashing victory. We retired to the front room of the Shack. I found an old seat out of the way and at a respectful distance from the combatants. Uncle George and Grandpa sat on the cots facing each other. They downed the bottle of cognac and then the conversation and its volume escalated. The egregious acts which followed became the stuff of legends.
Taking casual aim Grandpa shot a hole near the bottom of one of Uncle George’s gallon cans of honey and the resultant flow was spectacular and catastrophic. Then without a pause he shot a bottle of Hennessy where it had rested a long time under its owner’s savoring glance. Uncle George was furious—he had lost two bottles of cognac and a can of honey.
Before outrage set in, Grandpa was heading down the road with remarkable speed toward the ranch house. According to a reliable source, he ran upstairs and hid in the closet.
Within seconds Uncle George burst through the door shouting,
“Where is he? I’m going to kill him.”
In her customary calm voice Grandma said. “Put down the gun, Junior. You know he didn’t mean anything.”
Uncle George was still indignant, “Didn’t mean anything!” He detailed the damages and his grievances.
Grandma raised her hand and declared, “There will be restitution. Now put down the gun!!”
Uncle George did and the crisis was averted. In a few days Grandpa was seen heading toward the Bachelor Shack with a gallon can of honey and two bottles of Courvoisier—-a special affirmation of the wondrous love between father and son.
Later Grandma asked me to recite the events of the great shoot out. She listened and pronounced, “Those damn fools. They could have killed my grandson.”
I replied, “Maybe not Grandma, I was ready to duck.”

Michael J. Keyser in his formative years spent summers and other free time at the family ranch, the Diamond k located in southeastern Idaho. He graduated from Princeton University with a B.A. in English. While there, he won the John B. Wanamaker Prize for Excellence in English Composition.

Mr. Keyser served as the President of the American Cancer Society, Cuyahoga County Unit. He was also a Park Commissioner in Hudson, Ohio. For several years he served on the Board of the Summit-Portage County Health Systems Agency.

He also has published four works of fiction. His hobbies are writing, walking and woodworking. Mr. Keyser is very active in his church with outreach ministries serving senior health facilities.

February 2013- Week 2

February 12, 2013

The Lonesome Cowboy

The lonesome cowboy, he’s out on a roam.

With thirty miles of fence to mend, and today’s grown old.

He finds an old cotton tree, says: “Guess here tonight I’ll be…”

He throws down his saddle and poke,

pulls out some hard tack, coffee and a smoke,

and the frayed-edged letter from Maria, the only one who wrote.

The lonesome cowboy, he’ll pass the night away,

The Hotel of a Million Stars, that’s where he likes to stay.

He don’t got no house, don’t pay no rent.

Out on the range, he’s so content.

A new moon’s on the rise, he’s searching the starry sky,

Thinking about Maria, and her boy, who’s got his eyes.

The lonesome cowboy he’s tired, he calls it a day.

Lays down his head to rest, he dreams the night away,

of Colorado, and pasture sweet, tall green grass, wading through waste deep.

On his cow horse with his cow dog, the cowboy drives ’em on,

up to Colorado from New Mexico, he’s dreaming on and on and on.

The lonesome cowboy, he’ll pass his life away.

He’ll be riding herd, and mending fence, he’ll even put up some hay.

He don’t like concrete, it kind of hurts his feet.

His cowboy boots don’t wear even on a street.

There’s just one thing that he wants. That’s to find the love he lost.

He’s whispering to the wind, and he sends her his kind thoughts.

Yea, he’s whisperin’ to the wind, and he sends her his kind thoughts.

Yea, he’s whisperin’ to the wind, and he sends her his kind thoughts.

Going to Maria, Maria…

Espero te, siempre, mi amor, mi amor perdido, Maria…

(I’ll wait for you, forever, my love, my lost love, Maria)

Arthur Davenport’s musical career spans 30 years of songwriting and
performance. He first started playing in the Washington D.C. folk
scene in the 1980’s and then moved on to the southwest scene during
the 90’s while living in New Mexico.

Arthur has been featured on National Public Radio performing his song,
“Lonesome Cowboy,” specially written for a cowboy music compilation
album entitled “‘Round-em Up!” Arthur now lives in Hawai’i where he
has been a house musician at the Hilo Palace Theater for the past ten
years.
************

A LACY VICTORIAN VALENTINE

Sweet Elizabeth
Can you feel the ride and rise of the sun
This mid-February day bucking against
The rusted spur and crumbling saddle of Jack Frost?
We done got the heifers all calved
Mostly in the ice of January nights
I reached into more than one cow
Afraid with the strange pain spewing new life onto the prairie
Turning her calf to touch light.
The coyotes so full of after birth
Gave the wobbly newborns a free pass
To rise and walk with their mothers.
The sun is frisking more each day
And a tired cowboy can hope for a short ride its in warm rays
To ask you to wander with him a while behind the old barn
To that spot I know where the first buttercups each year
Slip up between the patches of melting snow
I put on my new jeans and a clean shirt and my Sunday go to meeting Stetson
Cleaned the mud off my boots and even shined them.
It shore would be nice if you could walk with me
In the mothering breeze near
That weather beaten barn
With its sides testifying for Mail Pouch tobacco
“Treat yourself to the best”
In fading red and yellow painted by a dead hand some half century ago
Persisting like my feelings for you as the years say adios
To yesterday’s yearlings.
I wanted to share this lacy Victorian valentine
My great granddaddy gave my great grandmamma
Here on the ranch,
He warn’t no better with words than I am
But the pink lace and the frills and the buttercups
Would talk his feelings for her a whole lot better than his wind chapped lips
And tongue rusted from the silence of riding alone.

Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.

February 2013- Week 1

February 5, 2013

SONY DSC

Ballad Of Rufus Hartz

First time I ever seen her was in the Rodeo parade
Jesse Sue ridin tall by her pa there in the cavalcade
Me I had a right good view, as the clown with the broom and pan
Sweepin’ up them hot horse apples and puttin’ em in the  can.
See Billy didn’t have no sons, his wife a long time  ago
Had run off one night with a deputy come up from  Del  Rio.
Since then him and Jesse Sue they run their ranch  alone
Hunnert and forty acres of hardpan, flint and stone.
Their ranch raised Buckin’ Broncos for to sell to  rodeos.
Mighty tough work, I reckon just ‘bout everyone  knows.
Wranglin’ broncs is cowboy tough and it’s easy to git  hurt
But Jesse Sue and her daddy never minded dirt nor  work.
Now the Rodeo market ever’one knows is pert’ much a bumpy  ride
Billy figured just to be safe, he need sumthin’ on the side.
Now hogs is sure fast money, and raisin’ ‘em aint much fun.
But Big Black pigs will market just under a quarter ton.
Big Blacks, was a new kind of breed
Round here they’d never been seen
On accounta them hogs, while they grow mighty  big
They tend to git powerful mean.
But the brood sow never quit turnin’ out  choats
A reg’lar piggie machine
So when the Rodeo market was cold or flat,
Them pigs paid the bills in between.
They’re fierce them Big Black hogs,
They’ll fuss and fight at the trough
Snarlin’ and bitin’, pushin’ and shovin’
By God don’t them hogs play rough.
So Billy rigged him a feed chute
Then he’d never have to go in.
He’d feed them murderous Big Blacks
Him standin’ outside the pig pen.
Other day I seen her sittin’ tall on her Appaloosa  mare
Her hand above her eyebrows blockin’ out the  glare
Over by the water tank I was hidin’, layin’ low down in  the draw
Of course I weren’t s’posed to be there, on accounta  Jesse’s pa.
He’d ordered me off’n their place and he threatened to  call the law
He’d seen me a’ peekin through the winder of an evenin’  late last fall.
The man don’t understand there aint no harm in a’  lookin’
Watchin’ through the winder pane at a pretty girl jist  cookin’.
Yesterday I seen her it was at Old Gumps Feed and  Seed
Helpin’ her daddy Billy, they was stackin’ sacks o’  feed
Slingin’ bags of horse feed from the tailgate to the  cab
Pigtails shinin’ golden in a shirt of pretty  plaid.
Now Billy’s eye’s don’t see so good, and his hearin’s a  total wreck
So creepin’ round the ranch house is much easier than  you’d suspect
So tonight I’m gonna slip to her winder, jist to  take me a  little  peek,
And watch the pretty fourteen year old get ready to go to  sleep.
Late that night Jesse Sue awakened, them pigs was a  raisin all hell
Somthin’ in  their food shoot she could hear it  clear as a bell
Why was daddy feedin those bruisers there in the dark of  the night?
Then the pigs got all quiet, she rolled over and put out  the light.
The deputy and the coroner lifted what was left to the  ambulance
“Crazy as a bedbug, old Rufus  he never had any  sense.
And whatcha reckon he was doin’ in Jesse Sue’s pig sty at  night
With them hogs was known to be vicious and ever so  quick to fight?”
“There ain’t no accountin’ with a bad sort, one like that  old Rufus Hartz
Ain’t it awful what them hogs has done, ‘specially to his  lower parts.”
Death by accident was the verdict that day at the  coroner’s  inquest.
In a plain pine box the sheriff and her daddy laid Rufus  Hartz to rest.

Gary Ives is a retired Senior Chief Petty Officer who lives with his wife and  two
big dogs in the Ozarks where he grows apples and writes.

You can find more of his work and other ramblings here- Gary Ives

All work appearing in Cowboy Poetry Press is copyrighted and belongs to the author and cannot be reprinted or copied without their written permission. Unless artist is specified all photos and artwork are property of Elizabeth Akin Stelling, Managing Editor of Cowboy Poetry Press; please do not use or copy any of them without her written permission. All others are property of photographer and artists, same applies.

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