February 2013- Week 2
February 12, 2013
The Lonesome Cowboy
The lonesome cowboy, he’s out on a roam.
With thirty miles of fence to mend, and today’s grown old.
He finds an old cotton tree, says: “Guess here tonight I’ll be…”
He throws down his saddle and poke,
pulls out some hard tack, coffee and a smoke,
and the frayed-edged letter from Maria, the only one who wrote.
The lonesome cowboy, he’ll pass the night away,
The Hotel of a Million Stars, that’s where he likes to stay.
He don’t got no house, don’t pay no rent.
Out on the range, he’s so content.
A new moon’s on the rise, he’s searching the starry sky,
Thinking about Maria, and her boy, who’s got his eyes.
The lonesome cowboy he’s tired, he calls it a day.
Lays down his head to rest, he dreams the night away,
of Colorado, and pasture sweet, tall green grass, wading through waste deep.
On his cow horse with his cow dog, the cowboy drives ’em on,
up to Colorado from New Mexico, he’s dreaming on and on and on.
The lonesome cowboy, he’ll pass his life away.
He’ll be riding herd, and mending fence, he’ll even put up some hay.
He don’t like concrete, it kind of hurts his feet.
His cowboy boots don’t wear even on a street.
There’s just one thing that he wants. That’s to find the love he lost.
He’s whispering to the wind, and he sends her his kind thoughts.
Yea, he’s whisperin’ to the wind, and he sends her his kind thoughts.
Yea, he’s whisperin’ to the wind, and he sends her his kind thoughts.
Going to Maria, Maria…
Espero te, siempre, mi amor, mi amor perdido, Maria…
(I’ll wait for you, forever, my love, my lost love, Maria)
Arthur Davenport’s musical career spans 30 years of songwriting and
performance. He first started playing in the Washington D.C. folk
scene in the 1980’s and then moved on to the southwest scene during
the 90’s while living in New Mexico.
Arthur has been featured on National Public Radio performing his song,
“Lonesome Cowboy,” specially written for a cowboy music compilation
album entitled “‘Round-em Up!” Arthur now lives in Hawai’i where he
has been a house musician at the Hilo Palace Theater for the past ten
years.
************
A LACY VICTORIAN VALENTINE
Sweet Elizabeth
Can you feel the ride and rise of the sun
This mid-February day bucking against
The rusted spur and crumbling saddle of Jack Frost?
We done got the heifers all calved
Mostly in the ice of January nights
I reached into more than one cow
Afraid with the strange pain spewing new life onto the prairie
Turning her calf to touch light.
The coyotes so full of after birth
Gave the wobbly newborns a free pass
To rise and walk with their mothers.
The sun is frisking more each day
And a tired cowboy can hope for a short ride its in warm rays
To ask you to wander with him a while behind the old barn
To that spot I know where the first buttercups each year
Slip up between the patches of melting snow
I put on my new jeans and a clean shirt and my Sunday go to meeting Stetson
Cleaned the mud off my boots and even shined them.
It shore would be nice if you could walk with me
In the mothering breeze near
That weather beaten barn
With its sides testifying for Mail Pouch tobacco
“Treat yourself to the best”
In fading red and yellow painted by a dead hand some half century ago
Persisting like my feelings for you as the years say adios
To yesterday’s yearlings.
I wanted to share this lacy Victorian valentine
My great granddaddy gave my great grandmamma
Here on the ranch,
He warn’t no better with words than I am
But the pink lace and the frills and the buttercups
Would talk his feelings for her a whole lot better than his wind chapped lips
And tongue rusted from the silence of riding alone.
Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.
February 2013- Week 1
February 5, 2013
Ballad Of Rufus Hartz
First time I ever seen her was in the Rodeo parade
Jesse Sue ridin tall by her pa there in the cavalcade
Me I had a right good view, as the clown with the broom and pan
Sweepin’ up them hot horse apples and puttin’ em in the can.
See Billy didn’t have no sons, his wife a long time ago
Had run off one night with a deputy come up from Del Rio.
Since then him and Jesse Sue they run their ranch alone
Hunnert and forty acres of hardpan, flint and stone.
Their ranch raised Buckin’ Broncos for to sell to rodeos.
Mighty tough work, I reckon just ‘bout everyone knows.
Wranglin’ broncs is cowboy tough and it’s easy to git hurt
But Jesse Sue and her daddy never minded dirt nor work.
Now the Rodeo market ever’one knows is pert’ much a bumpy ride
Billy figured just to be safe, he need sumthin’ on the side.
Now hogs is sure fast money, and raisin’ ‘em aint much fun.
But Big Black pigs will market just under a quarter ton.
Big Blacks, was a new kind of breed
Round here they’d never been seen
On accounta them hogs, while they grow mighty big
They tend to git powerful mean.
But the brood sow never quit turnin’ out choats
A reg’lar piggie machine
So when the Rodeo market was cold or flat,
Them pigs paid the bills in between.
They’re fierce them Big Black hogs,
They’ll fuss and fight at the trough
Snarlin’ and bitin’, pushin’ and shovin’
By God don’t them hogs play rough.
So Billy rigged him a feed chute
Then he’d never have to go in.
He’d feed them murderous Big Blacks
Him standin’ outside the pig pen.
Other day I seen her sittin’ tall on her Appaloosa mare
Her hand above her eyebrows blockin’ out the glare
Over by the water tank I was hidin’, layin’ low down in the draw
Of course I weren’t s’posed to be there, on accounta Jesse’s pa.
He’d ordered me off’n their place and he threatened to call the law
He’d seen me a’ peekin through the winder of an evenin’ late last fall.
The man don’t understand there aint no harm in a’ lookin’
Watchin’ through the winder pane at a pretty girl jist cookin’.
Yesterday I seen her it was at Old Gumps Feed and Seed
Helpin’ her daddy Billy, they was stackin’ sacks o’ feed
Slingin’ bags of horse feed from the tailgate to the cab
Pigtails shinin’ golden in a shirt of pretty plaid.
Now Billy’s eye’s don’t see so good, and his hearin’s a total wreck
So creepin’ round the ranch house is much easier than you’d suspect
So tonight I’m gonna slip to her winder, jist to take me a little peek,
And watch the pretty fourteen year old get ready to go to sleep.
Late that night Jesse Sue awakened, them pigs was a raisin all hell
Somthin’ in their food shoot she could hear it clear as a bell
Why was daddy feedin those bruisers there in the dark of the night?
Then the pigs got all quiet, she rolled over and put out the light.
The deputy and the coroner lifted what was left to the ambulance
“Crazy as a bedbug, old Rufus he never had any sense.
And whatcha reckon he was doin’ in Jesse Sue’s pig sty at night
With them hogs was known to be vicious and ever so quick to fight?”
“There ain’t no accountin’ with a bad sort, one like that old Rufus Hartz
Ain’t it awful what them hogs has done, ‘specially to his lower parts.”
Death by accident was the verdict that day at the coroner’s inquest.
In a plain pine box the sheriff and her daddy laid Rufus Hartz to rest.
Gary Ives is a retired Senior Chief Petty Officer who lives with his wife and two
big dogs in the Ozarks where he grows apples and writes.
You can find more of his work and other ramblings here- Gary Ives
All work appearing in Cowboy Poetry Press is copyrighted and belongs to the author and cannot be reprinted or copied without their written permission. Unless artist is specified all photos and artwork are property of Elizabeth Akin Stelling, Managing Editor of Cowboy Poetry Press; please do not use or copy any of them without her written permission. All others are property of photographer and artists, same applies.
December- Week 1
December 4, 2012
John H. Dromey was born in northeast Missouri. He’s had a byline (for brief, humorous items) in over one-hundred different newspapers and magazines. Once upon a time he had light verse published in Grit, Hoofs and Horns, Light, the Wall Street Journal, and elsewhere. His cartoons have appeared in Bowhunter and Farm Antiques News (no longer published).
*******
Crossing The Bar
Walt Blake’s foreman Bill Kelly advised Jake McCarthy that Walt wanted to see him.
Jake inquired, “How’s he doing?”
“Not well. Molly’s doing a great job of nursing, but it’s a race against cancer and it is winning.”
“Thanks, Bill.”
Jake drove his F 350 fast down US 50 to the Blake Ranch (the Lazy B). Molly greeted him warmly and brought him in to see Walt.
He barely sat up in his rocker, “Amigo, how goes it?”
“It’s fine with me Walt, but how about you?”
As customary Walt was to the point, “I’m dying Jake!”
Jake reacted naturally, “Oh, I’m so sorry Walt.”
“Don’t be. We owe God a death and mine is coming up.”
Jake shook his head—already incredulous that this fine man would soon be gone. No more hunting, no more fishing, no more wise counsel and no more Jack Daniels on Walt’s back porch. It was time to shrug off his morbid mood—try to cheer Walt up.
Jake grinned, “Walt I’m missing you already. Will you send me a letter about what it’s like on the other side of the bar?”
Walt laughed with some difficulty, “Same old Jake. Sure young amigo, the letter will come by turtle doves, or still smoking.”
“Well my friend, the Almighty is getting a damn fine man.”
“Thanks Jake for the compliment. I hope the Almighty will be forgiving.”
Molly was listening as Walt declared, “I know that I’m hard to replace, but I’m sure she can find a young stud.”
Molly remarked with a grin, “He’s out in the barn now dear.”
Walt declared, “You see why I’m better off on the other side
Let’s seal our business deal with a bit of Mr. Jack. You too Moll.”
Molly protested, “It’ll kill you sweetheart.”
Walt riposted, “Better now with friends than tomorrow alone.”
They all had two shots—neat.
Walt Blake died ten days later.
Michael J. Keyser in his formative years spent summers and other free time at the family ranch, the Diamond k located in southeastern Idaho. He graduated from Princeton University with a B.A. in English. While there, he won the John B. Wanamaker Prize for Excellence in English Composition.
Mr. Keyser served as the President of the American Cancer Society, Cuyahoga County Unit. He was also a Park Commissioner in Hudson, Ohio. For several years he served on the Board of the Summit-Portage County Health Systems Agency.
Mr. Keyser has published four works of fiction. His hobbies are writing, walking and woodworking. Mr. Keyser is very active in his church with outreach ministries serving senior health facilities.
“Crossin the Bar (primarily a 19th century phrase) in the Tennyson poem (last stanza) means dying. To navigate over the bar, which could be sand, rock, etc., requires a pilot and good tidal conditions. Spiritually dead and once over the bar, he hopes he’ll meet his Pilot (God) face to face.”
October- Week 4
October 23, 2012
Bareknuckle
He wrapped a bandage tight around his battered knuckles
to stanch the flow of blood. His buddies ponied up
the cash to keep his pitcher full of beer, their chuckles
inviting him to tell again about the whup
he’d laid on that there thief, the way he went and slugged
the noisy little dude that interfered with his
prerogative to hear the song he picked. While drugged
with alcohol, he’d made it his especial busi-
ness setting matters square by punching out the lights
that darkened his already ugly mood. Fort Knox
would barely cover debts owed on his ranch—his sights
lit on the quarter stuck inside that damned juke box.
C.B. Anderson, the longtime gardener for the PBS television series, The Victory Garden, spent his formative years in Blue, Arizona where, in the late 70’s, he worked for neighboring ranchers (Clell & Katharine Lee) at the stupendous rate of $5/day. He has castrated many a bull-calf and eaten the grisly harvest that was grilled on site atop the rusty iron cylinder in which the branding irons were heated red-hot by a propane torch. His poems on other subjects have appeared in many print and electronic journals internationally.
********
The Cowboy Who Counted the Stars
At days tattered close, head nodding to rest
His ride for the day is now done,
He thinks of the hours whose total won’t count
“Cause he only gets paid sun to sun.
His eyes shift above a duster of red
That rakes blowing sand from the wind,
He’s glad day is made but knows in his heart
Before long, another begins.
Reins still in his hand he steps to the ground
Tipping his hat with a nod,
He lets go the cinch to bring back the breath
Then takes stock of the four that are shod.
The dust billows free as he raises a leg
And gives his worn boot a good stomp,
His horse now at ease as it chases the ground
Looking for some sweet grass to chomp.
With care, a brush, and sure measured strokes,
To her mane and her flank and her withers,
Sweeping tangles and brambles, knotting the tail
She speaks thanks to him when she shivers.
Deep purples and reds are all that remain
Of the sky that was painted pure blue,
The sun cutting west will be dipping below
As night waits to answer its queue.
Hobbling his mount to the picket line
He knows she’ll be safe for the night,
Covering his traps with a dusty ole tarp
Resting easy, ’cause all is put right.
Upon a soft meadow his bed is unrolled
Then he studies a vast sparkling sky,
He asks if there was ever a count,
Of the stars ’cause it takes a sharp eye.
Repeating the question for no one to hear
Thinking, “Cowboy, now how can this be,
That no one has counted the lights in the sky
Are they leaving it all up to me?”
Begin the tally from a well-chosen point
Should you have to start over it’s plain,
The northern star on the handle shines bright
To preface your celestial domain.
The counting established with nary a slip
He knows he’ll not stop ’til its penned,
With thousands to reckon he can’t miss a one
At least, that is what he intends……
Darkness now past, the camp’s in a stir
As the riders crawl out of their rolls,
Saddles are creaking, horses are speaking
Big Augur recalls these poor souls.
Rousted from sleep, he’s not quite awake
As he raises an eye toward the heavens,
He remembers the count of nights’ flickering lights
But was sure there were more than eleven……
Robert L. Penven Sr. 70 years of age, the patriarch of a rather large family/grand kids included. He served in the United States Marine Corps from June 1961 to January 1966. Honorably discharged at the time of separation. From 1967 until 1992, and served with the New Jersey State Police as a state trooper. Since the time of retirement Robert has taught tennis under the auspices of the United States Professional Registry, and has been employed as a finished carpenter and later years an assistant to an airplane mechanic. Hobbies are many, aversions are few. He likes writing stories and poems, and this is his first real publication, but he did submit poetry to his college magazine in 1975 and it was published for the benefit of the student body, probably not so much for himself. Now you know more about Robert Penven than you probably should.
*******
October- Week 2
October 10, 2012
INGALLS LOST LEDGE OF GOLD
Sister Elizabeth, I am sure
Your telling me the truth like the real lyrics
To dead Duane Allman’s song “Sweet Melissa”
Was most well intentioned.
But I want you to know how deeply it has changed
My feelings back here at the ranch.
I still get up at three in the morning most winter days
To be sure that the water troughs ain’t iced over
And the cows and yearlings have enough fresh hay to make it
Through the raspy days
And when the sky shades into the blue of my dead wife’s eyes
I can still see the peaks of the Cascades some hundred miles or so to the west
Capped with snow and concealing
Old Ben Ingalls lost ledge of gold.
I would lie there whole in the hot July night
Next to my lost wife in the year before my oldest boy was born
Listening to poor dead Duane’s slide guitar
Convinced he was singing of finding the dead man’s gold
And now with your fancy internet and irresistible force for truth
You proved to me that he was singing about the cross roads concealing the dead man’s ghost.
Do live men have ghosts?
I’ve talked to old Ben Ingalls ghost in my dreams
His blue woolen uniform gold oak leaf on his shoulder strap
And he showed me the three small lakes
And the angle of the ledge of solid gold
Wrapped in the alpine firs and western hemlock
In the canyon up in that Cascade valley
More than once as I slept
He tells me I have been chosen to claim the yellow dream of easy living
And spread its goodness around my world.
But sister you know as well as I, having chased dreams of your own
That the cutting and the roping and binding the calf ends the race
And the race is what we live for.
That song gallops around and around in my head
As I load steers to the stockyards
And trot through my chores each day
Some day I’m going to climb that mountain
Old Ben Ingalls by my side
And I’m going to find our ledge of gold
Before Ben and I posse up and we ain’t gonna let the crossroads hide us
We’ll find some other young buck to haunt
But we ain’t going to tell him the real lyrics
To our song.
He can hear what he needs to hear.
Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.
*******
The Guardian
It was a lonely hilltop
where the prairie grasses played,
tossed by the winds of summer
and barren of any shade.
From that grand promontory
one could see a distant home
rising from the prairie sod
and the land where cattle roam.
To the west the land stretched on…
waves of grass, a moving sea,
splashing on a sandy shore
too distant for man to see.
The river, off to the south,
shrunken from the springtime flood
with waters now running blue,
and no longer filled with mud.
But that view was overcome
by a mound of new-turned soil
and a wee fist of daisies
that marked a poor digger’s toil.
Guarding that lonely hilltop
a small home-made cross now stands,
marking one more sacrifice
to hardship on prairie lands.
The sod home seemed empty then
but the rancher toiled on
glancing very frequently
t’ward the place his love’d gone.
From: Sun, Sand & Soapweed, ©2005
Clark Crouch is a self-proclaimed Poet Lariat and a prize-winning western and cowboy poet, author, lyricist, and performing artist. He admits to a bias toward traditional cowboy poetic forms. The author of eight books poetry, six of which are devoted to western and cowboy verse, he is a two-time winner of the prestigious Will Rogers Medallion Award for Cowboy Poetry and a five-time finalist in the annual Western Music Associations book award competitions. He wrote his first prize-winning poem at age eleven but never got around to writing more until 2001 when he was 73. Shortly thereafter he started writing and performing professionally.
*The Guardian*
/This poem was one of twenty “living documents” selected by a Fifth Grade Teacher in Page, Arizona to help her students understand the Westward Movement in the U.S. She received a “best classroom practices award” for her innovative approach./
October Issue- Week 1
October 4, 2012
About photo- “In addition to getting up at 2 AM, we have huge ranches in Az and NM. The ranch we were working cows is 206 section ranch. The border splits the ranch in half and has to run different brands. We get up at 2 to feed the cow horses and we are all up, dressed, most of us anyway, saddled and mounted by 4:30 AM. It takes us about 45-one hour to get the herd where we gathered them (10 section trap) and we wait for sun up. At sun rise they want water and we drive them about 10 miles to the corrals and water. Then we sort off the mother cows. We rope and drag the yearling to the fire for shots, ear tags, brands and if it’s a bull calf I cut them. We then let the calves mother up and we push them all back to good pasture, then ride back to headquarters. It is usually a 2Am – 8PM day.”
M. C. Hudson was born in Tombstone, Arizona and has lived and loved the life of a cowboy for most of his life. He is an ex-bull rider, who has lived to tell about his experiences, and has helped train youth to ride bulls. As a pastor of a rural church and setting in SE. AZ Mike has worked many of the larger ranches in Arizona and New Mexico, gathering cows, doctoring, sorting, branding (cutting-seems to be the job for a pastor) and roping. He is also embarking on a journey into writing poetry and prose, and was chosen for the October 2012- week 3.
*******
Dragging Me Down
Our raft was sinking thirty yards off Wild Horse Island. That bastard Rollie had been dragging me to the Island for six months, and this is how it ended. We had busted ass over sixteen square miles nearly every night and everything we had to show for it was sinking.
The shadow of Wild Horse Island loomed over us, even in the dead of night. She was laughing at our private disaster because she knew we had stolen from her.
“Damnit Warren, help me bail.” Rollie was trying to scoop water with his hands.
“It’s gone. We gotta start swimming. Sun’ll be up in an hour and I ain’t getting caught by Tribal Police.” Trespassing on Indian land came with stiff retribution, but Rollie didn’t care. And Rollie did enough not caring for the both of us. He kept scooping.
“Rollie, it’s not gonna’ work. The damn thing weighs four hundred pounds. We can’t swim with that. Hell, it sank the raft.” I took him by the shoulders and stared him straight in the eye. “I’m going.”
I slung my pack and hit the water. The shock of cold sent my testicles into the furthest recesses of my gut and I struggled for my next breath. I used it to holler at Rollie to swim before I started myself. The mainland shore was a quarter mile off and my clothes were already heavy.
“Warren, come back. We can’t let it go.” I know Rollie would have gladly sunk along with the cargo. As it was, he was fighting to stay up, still clinging to the crudely constructed raft. But it was going, and there would be no stopping it. Our treasure was just too heavy.
I paddled over to Rollie who had just managed to grab his bow off the raft in its last seconds above water. He was treading water now, still staring down into the water after his prize.
“Wish we hadn’t killed it,” I said. “I had more fun chasing the thing every night. It was huge.” Now it was dead and headed to a resting spot two hundred feet below the surface, but I didn’t bother saying that.
“It was either me or that ram. It used to see it in my dreams, Warren.”
“I’m just glad it wasn’t you and the ram.”
I peered down into the depths, wondering if I’d be able to see the one-and-a-quarter curl on its way to the bottom. But it was four-thirty in the morning and that would have been impossible. I grabbed his arm and started for shore.
Nate Wilkerson currently is a resident of Portland, Oregon, has attend school at Marylhurst University, and now works for the YMCA child care division. I have had poetry published in A Plains Paradox Literary Journal in 2011.
August Issue- Week 4
August 20, 2012
‘Fire’
Alice Humphrys resides in Florence, Texas on the family ranch helping brand and manage their horses along with dogs, sheep, and many other livestock.
*******
Way Back
Snow in an empty field hovers like a thick layer of fog
over dull green and brown grass in need
of the sun’s restoration. Rivers of snow
collect, the rest of the field brown, bare.
Another field is white, the snow’s covering
sporadic, choosing the places it touches.
Tomorrow it might be gone. For now it lingers
with months of refuse—plastic bags hooked
on corn stubble, boxes that were buried by snow.
Water, high in ditches, currents strong,
sounds like rustling bags. She removes
her white hood, frees
her long brown hair, unzips her jacket,
lets it flap when her horse gallops.
Hoof prints indent the malleable ground, leave
a new trail beside the old.
She is a torn bag left in an abandoned
field, miles from home,
trusting a weary horse to help her
find her way back.
Dawn Schout’s poetry has appeared in more than two dozen publications, including *Fogged Clarity*, *Glass: A Journal of Poetry*, *Muscle & Blood Literary Journal*, *Pemmican*, *Poetry Quarterly*, *Red River Review*, and *Tipton Poetry Journal*. She won the B.J. Rolfzen Memorial Dylan Days Writing Contest, the Lucidity Poetry Journal Contest, and the Academy of American Poets’ Free Verse Project. She lives near Lake Michigan.
*******
Driftwood
Driftwood is a sane representation of the human condition.
Its withered flow speaks to us of the ‘ragged glory of time’.
We’re dull, grey, and smoothed out, as the driftwood, made
to solemnly wash up on anonymous shores;
a sage artifact of the ‘general passage’
that delivered us.
Dan Hedges teaches English in the Sir Wilfred Laurier School Board of Quebec. He has also taught at Sedbergh School, and the Celtic International School. He has lived in international locales, including Spain and Mexico. His writing has appears or is forthcoming in The Monarch Review: Seattle’s Literary and Arts Magazine, Ditch Poetry, The Maynard, The Camel Saloon, Wildflower Magazine, Rigormortus, Fortunates, Inertia, Crack the Spine, Short-Fast-and-Deadly, Coatlism Press, Whole Beast Rag, Marco Polo Arts Magazine, Kenning Journal, The Rusty Nail, Wilderness House Literary Journal, Retort Magazine, Certain Circuits, Touch Poetry, Poetic Diversity, Haggard and Halloo Publications, Jones Avenue Quarterly, Blink Ink, Greensilk Journal, Literary Chaos, Subtopian Magazine, The Euonia Review, Undertow Magazine, The View from Here, Nazar Look, The Apeiron Review, and Mad Swirl. Dan is the editor of a literary collective called Humanimalz.