December- Week 3
December 20, 2012
Elizabeth Akin Stelling, Managing Editor- CPP traveled to Hawaii this past fall with a quest to find Polynesian Cowboys, and that she did. A chef and poet and sometime photographer her poetry and photography has been published in Referential Magazine, Tuck, Linden Lit Press, Curio, and many others. (photo taken on south side of the big island of Hawaii).
Fat and Sassy
He laughed when he said
I like my women like my horses
Fat and sassy.
I answered
A little hunger’s not a bad thing.
He said, nah
Fat and sassy’s the way to be.
His wife pointed to her geldings
Turned out together in the arena.
The chestnut with the white blaze and two white socks
And the brown with a little star
Kicking up their heels
In a lively
Dusty
Horse dance.
Aren’t they marvelous creatures
She breathed into the wind.
The most marvelous in all god’s creation.
I leaned on the fence
And I watched with her
And I kissed my mare
On her velvet nose
How a woman does love her horse.
Riding Lessons
When I was a girl
I rode horses.
Beneath me
Muscle
Sinew
Coarse hair
Sweat
Horse musk.
Now I am a woman
And I ride young
With equal vigor.
Julia Barrett grew up in rural Iowa. She’s married to the love of her life. They have three amazing children. She’s a writer of poetry and prose, a Registered Nurse and a trained pastry chef. Julia loves to travel and she’s visited or lived in all fifty states. You
will usually find her hiking with her dog or riding her horse. If she’s at home, she’s cooking, baking or writing books. Julia can be reached via twitter: @JuliaRBarrett or her website: http://juliarachelbarrett.net or her Amazon Author page: *http://tinyurl.com/czph8lu*
August Issue- Week 4
August 20, 2012
‘Fire’
Alice Humphrys resides in Florence, Texas on the family ranch helping brand and manage their horses along with dogs, sheep, and many other livestock.
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Way Back
Snow in an empty field hovers like a thick layer of fog
over dull green and brown grass in need
of the sun’s restoration. Rivers of snow
collect, the rest of the field brown, bare.
Another field is white, the snow’s covering
sporadic, choosing the places it touches.
Tomorrow it might be gone. For now it lingers
with months of refuse—plastic bags hooked
on corn stubble, boxes that were buried by snow.
Water, high in ditches, currents strong,
sounds like rustling bags. She removes
her white hood, frees
her long brown hair, unzips her jacket,
lets it flap when her horse gallops.
Hoof prints indent the malleable ground, leave
a new trail beside the old.
She is a torn bag left in an abandoned
field, miles from home,
trusting a weary horse to help her
find her way back.
Dawn Schout’s poetry has appeared in more than two dozen publications, including *Fogged Clarity*, *Glass: A Journal of Poetry*, *Muscle & Blood Literary Journal*, *Pemmican*, *Poetry Quarterly*, *Red River Review*, and *Tipton Poetry Journal*. She won the B.J. Rolfzen Memorial Dylan Days Writing Contest, the Lucidity Poetry Journal Contest, and the Academy of American Poets’ Free Verse Project. She lives near Lake Michigan.
*******
Driftwood
Driftwood is a sane representation of the human condition.
Its withered flow speaks to us of the ‘ragged glory of time’.
We’re dull, grey, and smoothed out, as the driftwood, made
to solemnly wash up on anonymous shores;
a sage artifact of the ‘general passage’
that delivered us.
Dan Hedges teaches English in the Sir Wilfred Laurier School Board of Quebec. He has also taught at Sedbergh School, and the Celtic International School. He has lived in international locales, including Spain and Mexico. His writing has appears or is forthcoming in The Monarch Review: Seattle’s Literary and Arts Magazine, Ditch Poetry, The Maynard, The Camel Saloon, Wildflower Magazine, Rigormortus, Fortunates, Inertia, Crack the Spine, Short-Fast-and-Deadly, Coatlism Press, Whole Beast Rag, Marco Polo Arts Magazine, Kenning Journal, The Rusty Nail, Wilderness House Literary Journal, Retort Magazine, Certain Circuits, Touch Poetry, Poetic Diversity, Haggard and Halloo Publications, Jones Avenue Quarterly, Blink Ink, Greensilk Journal, Literary Chaos, Subtopian Magazine, The Euonia Review, Undertow Magazine, The View from Here, Nazar Look, The Apeiron Review, and Mad Swirl. Dan is the editor of a literary collective called Humanimalz.
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