October 2014 Issue- Week 1

October 4, 2014

“Better late than never!” our managing editor Ms. Stelling says. It’s been busy around the pub office since we began 1 year to the date publishing authors poetry and flash fiction books. And we look forward to more manuscript submission for next fall! We would love to see some western genre manuscripts come out way, since there are so many of you submitting to this ezine.

See our submission guidelines at www.reddashboard.com for more information, dates are Oct 1st – Feb 28th.

Enjoy this months issues!

 

EPSON MFP image

(Click to enlarge)
Watercolor ‘Steeds’ by Anj Marth

Ocean steeds was inspired by a story my great-grandmother told me when I first started riding horseback. Selkies are beautiful horses that live in the sea, and come to shore to tempt people to try to catch them. If you bridle one, or get on its back (it will let you) it will drag you into the deeps with it, and there’s no escape.

Anj Marth was born in the early 70s, and grew up on the east coast of the US, near Philadelphia. She has since moved and traveled all over the country, by road. She currently lives in the Pacific Northwest and
considers it home. She works in a variety of mediums and has been a professional,licensed tattoo artist since the late 90s.

Her condensed portfolio can be seen here- Anj Marth Portfolio

 

************

KODACHROME BOOTS

This here’s a tale bout widow Beall and me,
a very close call as far as I can see.
Nearly hung myself from a stout oak tree,
when she proclaimed she’s “a gonna marry thee”!

Now, widow Beall was a comely lass,
much appeal and a cute little…….well.
Dumb as a sheep and not much class,
spit fire temper and a whole lot of sass.

Not fix’n to marry, ner give’n a dang hoot,
rather ride me a bronc, raise hell and shoot.
Single I’ll stay, til I be a grizzled old coot,
and all this started o’er a Kodachrome boot.

A life riding single with a little spare loot,
I’d spent honest big money on Kodachrome boots.
With huge eagle wings, patterns fanciful stitched,
never reckoned on them boots a get’n me hitched.

Them knee high boots just glowed by day,
bright yellar and red with horned lizard inlay.
Strong ride’n heels built up real high,
with side seam piping, blue as the sky.

Chartreuse pull straps above scalloped top,
a rainbow of colors that seemed never to stop.
Big ole eagles, blueish green and dark taupe,
tawdry beauty from some boot makers shop.

Kodachrome boots made from the best of cowhide,
brash as a peacock cowboy on an afternoon ride.
Clean shirt, fresh hat, pants stuffed inside,
One of a kind boots, whispered ego and pride.

When corralled by the widow, I couldn’t break free,
She’d always look down and then I could see,
her eyes come alive, twinkling romance and glee,
It was them boots she truly loved and not really me!

I hatched an idea to get me outta her plan,
and git back on the trail as fast as I can.
Just need to convince my first cousin Stan,
widow Beall needs some lov’n and he is her man.

Got Stan a new Stetson, wild rag and new suit,
a bath, and some tonic, why he looked darn right cute.
And to sweet’n the deal, first time in the chute,
I gave him my pair of those kodachrome boots.

Marc Bradshaw– Though raised in the hills and hollows of central Kentucky, the southwest U.S. beckoned immediately after high school graduation. Over the next 50 years California’s San Joaquin valley and parts south of Bakersfield, in Santa Fe New Mexico, and currently Mesquite Nevada were home to life and
work.

************

COME HAVEN OR LOW WATER

by Rodney Nelson

when we hear the recorded whoop of
a cowboy cello we’re not truant
only away from our home butte
on the Niobrara

we are the men of earth we have been
and when we reinvent the odor
of horse and hay we ride and forget
what larrupt us to town

there won’t ever be a flareout of
the world or a man-roping event
in the oil range we hold the dream to
on the Niobrara

************

COWBOY OF THE SEA

His name is Keealani,
a cowboy of the sea.
Needs the wind upon his back,
that bucking ride to set him free.

He wrestles surf and ocean
gripping tight and holding strong,
waiting for horns blowing
counting seconds short and long.

Got his lasso round his ankle
his bolo tie, a string of shells,
biggest difference in this cowboy
is his fishy stinky smell.

No manure or dirt upon him,
just the residue of sand,
cause this cowboy’s ride is over
when he steps upon the land.

Heather M. Browne is a faith-based psychotherapist and recently emerged poet, published in the Orange Room, Boston Literary Review, Page & Spine, Eunoia Review, Poetry Quarterly, The Poetry Bus, Red Fez, The Muse, An International Journal of Poetry, Deep Water Literary Journal, Electric Windmill, Maelstrom, mad swirl, and Dual Coast.  Her first chapbook, We Look for Magic and Feed the Hungry has been published by MCI. She just won the Nantucket Poetry Competition, a semi-finalist in Casey Shay chapbook competition, and has her first collection coming out this winter with Red Dashboard Publishing.  Recently widowed from her love of 21 years, she lives with her 2 amazing teens, and can be found frolicking in the waves.  Follow her: www.thehealedheart.net

************

 

February 2013- Week 4

February 25, 2013

SONY DSC

The Shooting Star

Midnight splendor

Tell me cowboy,

what was your wish?

Stars shoot first

and ask questions later.

Virginie Colline is a French translator living in Paris. You can read her latest poems in

*Seltzer*

*BRICKrhetoric*,

*Winamop and *Yes, Poetry*

******************

*/Paniolo/*

by Clark Crouch

He’s a paniolo

on a volcanic range

minding herds of cattle,

it’s really not so strange.

He’s a paniolo

on these, the lava lands.

He’s a paniolo

far from the beach’s sands.

His ranch is quite ancient

from ‘fore the Texasrange;

from eighteen nine ’til now

there’s been so little change.

His ranch is very large…

puts other spreads to shame;

multi-thousand acres

brings paniolo fame.

His ranch is furtherest west,

and off the continent,

three-thousand miles away

on an isle of content.

There on the mount’nous slopes,

his herds of cattle roam.

He’s a paniolo;

Hawaiiis his home.

Aloha paniolo

on the lava lands.

Aloha, paniolo

 

December- Week 1

December 4, 2012

Wild Onion

John H. Dromey was born in northeast Missouri. He’s had a byline (for brief, humorous items) in over one-hundred different newspapers and magazines. Once upon a time he had light verse published in Grit, Hoofs and Horns, Light, the Wall Street Journal, and elsewhere. His cartoons have appeared in Bowhunter and Farm Antiques News (no longer published).

*******

Crossing The Bar

Walt Blake’s foreman Bill Kelly advised Jake McCarthy that Walt wanted to see him.

Jake inquired, “How’s he doing?”

“Not well. Molly’s doing a great job of nursing, but it’s a race against cancer and it is winning.”

“Thanks, Bill.”

Jake drove his F 350 fast down US 50 to the Blake Ranch (the Lazy B). Molly greeted him warmly and brought him in to see Walt.

He barely sat up in his rocker, “Amigo, how goes it?”

“It’s fine with me Walt, but how about you?”

As customary Walt was to the point, “I’m dying Jake!”

Jake reacted naturally, “Oh, I’m so sorry Walt.”

“Don’t be. We owe God a death and mine is coming up.”

Jake shook his head—already incredulous that this fine man would soon be gone. No more hunting, no more fishing, no more wise counsel and no more Jack Daniels on Walt’s back porch. It was time to shrug off his morbid mood—try to cheer Walt up.

Jake grinned, “Walt I’m missing you already. Will you send me a letter about what it’s like on the other side of the bar?”

Walt laughed with some difficulty, “Same old Jake. Sure young amigo, the letter will come by turtle doves, or still smoking.”

“Well my friend, the Almighty is getting a damn fine man.”

“Thanks Jake for the compliment. I hope the Almighty will be forgiving.”

Molly was listening as Walt declared, “I know that I’m hard to replace, but I’m sure she can find a young stud.”

Molly remarked with a grin, “He’s out in the barn now dear.”

Walt declared, “You see why I’m better off on the other side
Let’s seal our business deal with a bit of Mr. Jack. You too Moll.”

Molly protested, “It’ll kill you sweetheart.”

Walt riposted, “Better now with friends than tomorrow alone.”

They all had two shots—neat.

Walt Blake died ten days later.

Michael J. Keyser in his formative years spent summers and other free time at the family ranch, the Diamond k located in southeastern Idaho.  He graduated from Princeton University with a B.A. in English.  While there, he won the John B. Wanamaker Prize for Excellence in English Composition.

Mr. Keyser served as the President of the American Cancer Society, Cuyahoga County Unit.  He was also a Park Commissioner in Hudson, Ohio.  For several years he served on the Board of the Summit-Portage County Health Systems Agency.

Mr. Keyser has published four works of fiction.  His hobbies are writing, walking and woodworking.  Mr. Keyser is very active in his church with outreach ministries serving senior health facilities.

“Crossin the Bar (primarily a 19th century phrase) in the Tennyson poem (last stanza) means dying.  To navigate over the bar, which could be sand, rock, etc.,  requires a pilot and good tidal conditions. Spiritually dead and once over the bar, he hopes he’ll meet his Pilot (God) face to face.”

October- Week 2

October 10, 2012

INGALLS LOST LEDGE OF GOLD

Sister Elizabeth, I am sure

Your telling me the truth like the real lyrics

To dead Duane Allman’s song “Sweet Melissa”

Was most well intentioned.

But I want you to know how deeply it has changed

My feelings back here at the ranch.

I still get up at three in the morning most winter days

To be sure that the water troughs ain’t iced over

And the cows and yearlings have enough fresh hay to make it

Through the raspy days

And when the sky shades into the blue of my dead wife’s eyes

I can still see the peaks of the Cascades some hundred miles or so to the west

Capped with snow and concealing

Old Ben Ingalls lost ledge of gold.

I would lie there whole in the hot July night

Next to my lost wife in the year before my oldest boy was born

Listening to poor dead Duane’s slide guitar

Convinced he was singing of finding the dead man’s gold

And now with your fancy internet and irresistible force for truth

You proved to me that he was singing about the cross roads concealing the dead man’s ghost.

Do live men have ghosts?

I’ve talked to old Ben Ingalls ghost in my dreams

His blue woolen uniform gold oak leaf on his shoulder strap

And he showed me the three small lakes

And the angle of the ledge of solid gold

Wrapped in the alpine firs and western hemlock

In the canyon up in that Cascade valley

More than once as I slept

He tells me I have been chosen to claim the yellow dream of easy living

And spread its goodness around my world.

But sister you know as well as I, having chased dreams of your own

That the cutting and the roping and binding the calf ends the race

And the race is what we live for.

That song gallops around and around in my head

As I load steers to the stockyards

And trot through my chores each day

Some day I’m going to climb that mountain

Old Ben Ingalls by my side

And I’m going to find our ledge of gold

Before Ben and I posse up and we ain’t gonna let the crossroads hide us

We’ll find some other young buck to haunt

But we ain’t going to tell him the real lyrics

To our song.

He can hear what he needs to hear.

Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.

*******

The Guardian

It was a lonely hilltop
where the prairie grasses played,
tossed by the winds of summer
and barren of any shade.

From that grand promontory
one could see a distant home
rising from the prairie sod
and the land where cattle roam.

To the west the land stretched on…
waves of grass, a moving sea,
splashing on a sandy shore
too distant for man to see.

The river, off to the south,
shrunken from the springtime flood
with waters now running blue,
and no longer filled with mud.

But that view was overcome
by a mound of new-turned soil
and a wee fist of daisies
that marked a poor digger’s toil.

Guarding that lonely hilltop
a small home-made cross now stands,
marking one more sacrifice
to hardship on prairie lands.

The sod home seemed empty then
but the rancher toiled on
glancing very frequently
t’ward the place his love’d gone.

From: Sun, Sand & Soapweed, ©2005

Clark Crouch is a self-proclaimed Poet Lariat and a prize-winning western and cowboy poet, author, lyricist, and performing artist. He admits to a bias toward traditional cowboy poetic forms. The author of eight books poetry, six of which are devoted to western and cowboy verse, he is a two-time winner of the prestigious Will Rogers Medallion Award for Cowboy Poetry and a five-time finalist in the annual Western Music Associations book award competitions. He wrote his first prize-winning poem at age eleven but never got around to writing more until 2001 when he was 73. Shortly thereafter he started writing and performing professionally.

*The Guardian*
/This poem was one of twenty “living documents” selected by a Fifth Grade Teacher in Page, Arizona to help her students understand the Westward Movement in the U.S.  She received a “best classroom practices award” for her innovative approach./

October Issue- Week 1

October 4, 2012

About photo- “In addition to getting up at 2 AM, we have huge ranches in Az and NM. The ranch we were working cows is 206 section ranch. The border splits the ranch in half and has to run different brands. We get up at 2 to feed the cow horses and we are all up, dressed, most of us anyway, saddled and mounted by 4:30 AM. It takes us about 45-one hour to get the herd where we gathered them (10 section trap) and we wait for sun up. At sun rise they want water and we drive them about 10 miles to the corrals and water. Then we sort off the mother cows. We rope and drag the yearling to the fire for shots, ear tags, brands and if it’s a bull calf I cut them. We then let the calves mother up and we push them all back to good pasture, then ride back to headquarters. It is usually a 2Am – 8PM day.”

M. C. Hudson was born in Tombstone, Arizona and has lived and loved the life of a cowboy for most of his life. He is an ex-bull rider, who has lived to tell about his experiences, and has helped train youth to ride bulls. As a pastor of a rural church and setting in SE. AZ Mike has worked many of the larger ranches in Arizona and New Mexico, gathering cows, doctoring, sorting, branding (cutting-seems to be the job for a pastor) and roping. He is also embarking on a journey into writing poetry and prose, and was chosen for the October 2012- week 3.

*******

Dragging Me Down

Our raft was sinking thirty yards off Wild Horse Island.  That bastard Rollie had been dragging me to the Island for six months, and this is how it ended.  We had busted ass over sixteen square miles nearly every night and everything we had to show for it was sinking.

The shadow of Wild Horse Island loomed over us, even in the dead of night.  She was laughing at our private disaster because she knew we had stolen from her.

“Damnit Warren, help me bail.”  Rollie was trying to scoop water with his hands.

“It’s gone.  We gotta start swimming.  Sun’ll be up in an hour and I ain’t getting caught by Tribal Police.”  Trespassing on Indian land came with stiff retribution, but Rollie didn’t care.  And Rollie did enough not caring for the both of us.  He kept scooping.

“Rollie, it’s not gonna’ work.  The damn thing weighs four hundred pounds.  We can’t swim with that.  Hell, it sank the raft.”  I took him by the shoulders and stared him straight in the eye.  “I’m going.”

I slung my pack and hit the water.  The shock of cold sent my testicles into the furthest recesses of my gut and I struggled for my next breath.  I used it to holler at Rollie to swim before I started myself.  The mainland shore was a quarter mile off and my clothes were already heavy.
“Warren, come back.  We can’t let it go.”  I know Rollie would have gladly sunk along with the cargo.  As it was, he was fighting to stay up, still clinging to the crudely constructed raft.  But it was going, and there would be no stopping it.  Our treasure was just too heavy.

I paddled over to Rollie who had just managed to grab his bow off the raft in its last seconds above water.  He was treading water now, still staring down into the water after his prize.

“Wish we hadn’t killed it,” I said.  “I had more fun chasing the thing every night.  It was huge.”  Now it was dead and headed to a resting spot two hundred feet below the surface, but I didn’t bother saying that.

“It was either me or that ram.  It used to see it in my dreams, Warren.”

“I’m just glad it wasn’t you and the ram.”

I peered down into the depths, wondering if I’d be able to see the one-and-a-quarter curl on its way to the bottom.  But it was four-thirty in the morning and that would have been impossible.  I grabbed his arm and started for shore.

Nate Wilkerson currently  is a resident of Portland, Oregon, has attend school at Marylhurst University, and now works for the YMCA child care division.  I have had poetry published in A Plains Paradox Literary Journal in 2011.

August Issue- Week 4

August 20, 2012

‘Fire’

Alice Humphrys resides in Florence, Texas on the family ranch helping brand and manage their horses along with dogs, sheep, and many other livestock.

*******

Way Back

Snow in an empty field hovers like a thick layer of fog
over dull green and brown grass in need
of the sun’s restoration. Rivers of snow
collect, the rest of the field brown, bare.
Another field is white, the snow’s covering
sporadic, choosing the places it touches.
Tomorrow it might be gone. For now it lingers
with months of refuse—plastic bags hooked
on corn stubble, boxes that were buried by snow.
Water, high in ditches, currents strong,
sounds like rustling bags. She removes
her white hood, frees
her long brown hair, unzips her jacket,
lets it flap when her horse gallops.
Hoof prints indent the malleable ground, leave
a new trail beside the old.
She is a torn bag left in an abandoned
field, miles from home,
trusting a weary horse to help her
find her way back.

Dawn Schout’s poetry has appeared in more than two dozen publications, including *Fogged Clarity*, *Glass: A Journal of Poetry*, *Muscle & Blood Literary Journal*, *Pemmican*, *Poetry Quarterly*, *Red River Review*, and *Tipton Poetry Journal*. She won the B.J. Rolfzen Memorial Dylan Days Writing Contest, the Lucidity Poetry Journal Contest, and the Academy of American Poets’ Free Verse Project. She lives near Lake Michigan.

*******

Driftwood

Driftwood is a sane representation of the human condition.
Its withered flow speaks to us of the ‘ragged glory of time’.
We’re dull, grey, and smoothed out, as the driftwood, made
to solemnly wash up on anonymous shores;
a sage artifact of the ‘general passage’
that delivered us.

Dan Hedges
teaches English in the Sir Wilfred Laurier School Board of Quebec. He has also taught at Sedbergh School, and the Celtic International School. He has lived in international locales, including Spain and Mexico. His writing has appears or is forthcoming in The Monarch Review: Seattle’s Literary and Arts Magazine, Ditch Poetry, The Maynard, The Camel Saloon, Wildflower Magazine, Rigormortus, Fortunates, Inertia, Crack the Spine, Short-Fast-and-Deadly, Coatlism Press, Whole Beast Rag, Marco Polo Arts Magazine, Kenning Journal, The Rusty Nail, Wilderness House Literary Journal, Retort Magazine, Certain Circuits, Touch Poetry, Poetic Diversity, Haggard and Halloo Publications, Jones Avenue Quarterly, Blink Ink, Greensilk Journal, Literary Chaos, Subtopian Magazine, The Euonia Review, Undertow Magazine, The View from Here, Nazar Look, The Apeiron Review, and Mad Swirl. Dan is the editor of a literary collective called Humanimalz.

August Issue- Week 3

August 12, 2012

THE PIONEER SONG

You hid the rum bottle in the shed east of the outhouse.
Since sixteen her waist — narrowest in the township — widened with her anger
Five boys surly budding whiskers could till this Ohio dirt without you
She tells you so daily.
Sharp yellow faced wasps that chew weathered boards of the outhouse
To build above your bottle’s nest
Sting not so sharply as her tongue.
You can no longer sip young buck rum
Under lush palms and succulent vines
Immersed in blossoming laughter of great black ladies
Lacing the Kingston night
The Ohio river dreams west
Forgotten freedom flowing on water
Westward lies a Wyoming, gold in Dixie, Idaho, vast Montana skies
Never real unless you touch them.
Old Thaddeus cut your graying hair
Shave the Amish beard dress a bit of the dandy
Ringo or Liberty or Bat will disembark the Cincinnati packet boat in St. Louis
Childless widower on a wagon train westward
Into a yarn tempered with campfire flickers
Burnt whiskey brown in the unshaded sun
On a plain whose trail flows beyond sight—unswallowed in lush green forests.
Fancy made flesh to stride tall into dusky saloons
Meanwhile back at the ranch
A mythfinity in
The big bang from a silent and singular farewell.

Tyson West is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.

Dine With Pat

Food & Dining in the Garden State

campfireshadows

Western short stories, heritage and trail recipes.

The Blank Page

Confronting Writer's Block