December- Week 3
December 20, 2012
Elizabeth Akin Stelling, Managing Editor- CPP traveled to Hawaii this past fall with a quest to find Polynesian Cowboys, and that she did. A chef and poet and sometime photographer her poetry and photography has been published in Referential Magazine, Tuck, Linden Lit Press, Curio, and many others. (photo taken on south side of the big island of Hawaii).
Fat and Sassy
He laughed when he said
I like my women like my horses
Fat and sassy.
I answered
A little hunger’s not a bad thing.
He said, nah
Fat and sassy’s the way to be.
His wife pointed to her geldings
Turned out together in the arena.
The chestnut with the white blaze and two white socks
And the brown with a little star
Kicking up their heels
In a lively
Dusty
Horse dance.
Aren’t they marvelous creatures
She breathed into the wind.
The most marvelous in all god’s creation.
I leaned on the fence
And I watched with her
And I kissed my mare
On her velvet nose
How a woman does love her horse.
Riding Lessons
When I was a girl
I rode horses.
Beneath me
Muscle
Sinew
Coarse hair
Sweat
Horse musk.
Now I am a woman
And I ride young
With equal vigor.
Julia Barrett grew up in rural Iowa. She’s married to the love of her life. They have three amazing children. She’s a writer of poetry and prose, a Registered Nurse and a trained pastry chef. Julia loves to travel and she’s visited or lived in all fifty states. You
will usually find her hiking with her dog or riding her horse. If she’s at home, she’s cooking, baking or writing books. Julia can be reached via twitter: @JuliaRBarrett or her website: http://juliarachelbarrett.net or her Amazon Author page: *http://tinyurl.com/czph8lu*
October- Week 3
October 16, 2012
‘Liquid Cowboy’
Michael Baca is an art teacher in New Mexico and also Cowboy Poetry Press Art Editor in his spare time, outside of his own painting and sculpting.
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Cloudbusters
Gloria held happiness
in a blue calico bag
resting between her breasts,
those crests of flesh spilling
out of a brown linen dress
hiding a corset and pantaloons
of French flowered lace.
She marched to the tune
of the Pied Piper of Mirth,
to the dance of chance
to honeyed notes of a sonnet
pressed in a book
in a secret pocket
where love’s call rang out,
out of tune.
Her smile chased clouds
from the sky till the crops
went dry. Then the cry
for rain brought the rainmaker
to town, a cloudbuster with bluster
and a mustache he’d stroke
to stoke passion in young women.
His words were a potion
and Gloria fell into his pocket
for burnt kisses, promises
of wind chimes on a prairie porch,
a mule to pull the plow,
a child to tug at her pink
gingham skirt.
She never spoke sorrow
till that rainmaker came
to steal her calico pouch,
sack her pocket of poems
with his kiss of bliss,
then run to chase rain
in another sky.
********
Memory and Sacrifice
I can still smell
the kerosene lamps
in my father’s house,
their soft glow
illuminating
my grandmother’s
harmonium like dusk
in late summer.
The top was cut down
for the journey
across the plains―
the excess wood
first to be burned
along the trail.
Justin Evans was born and raised in Utah, but now I live in rural Nevada with my wife and three boys, where I teach a variety of subjects at the local high school. I have been in the military, graduated from Southern Utah University with a degree in History and English Education, as well as a Master’s Degree from University of Nevada, Reno. I have published four chapbooks and the full length poetry collection, Town for the Trees (Foothills Publishing, 2011). I have poetry forthcoming in Weber—The Contemporary West. I also edit the on-line journal, Hobble Creek Review.
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Dakota
I buried Dakota in her favorite dress,
calico snug, said a prayer that I’d never
have another daughter born in a black blizzard.
I looked out over the clay gullies,
the impossible fossils rising like
hands. Flung her floppy sunhat over
the empty coulee. The dog barked.
In time, her pups would fetch it, bring it
back to the ranch. As if they knew something
by sheer dog sense. I looked East,
prayed for sorghum and flaxseed,
sunflower and milk-veined maidens.
Saw Dakota in the parting lips of clouds,
low and moving over drought and badlands,
saw her pantomime and sway
before the young moon,
her voice over the Cheyenne,
over cottonwood and willow
gently mocking me, the way it did
when she pressed my hands to her cheeks,
she, so numb from the cold, from chasing
the sheep that strayed. On top of this
bare hillside, I looked everywhere,
hoping for a sign of the next harvest.
It would keep me above ground,
this body of sod, mind of open spaces,
for another year.
Kyle Hemmings is the author of several chapbooks of poetry and prose: Avenue C, Cat People, and Anime Junkie (Scars Publications). His latest e-books are You Never Die in Wholes from Good Story Press and The Truth about Onions from Good Samaritan. He lives and writes in New Jersey.