October 2014 Issue- Week 1
October 4, 2014
“Better late than never!” our managing editor Ms. Stelling says. It’s been busy around the pub office since we began 1 year to the date publishing authors poetry and flash fiction books. And we look forward to more manuscript submission for next fall! We would love to see some western genre manuscripts come out way, since there are so many of you submitting to this ezine.
See our submission guidelines at www.reddashboard.com for more information, dates are Oct 1st – Feb 28th.
Enjoy this months issues!
(Click to enlarge)
Watercolor ‘Steeds’ by Anj Marth
Ocean steeds was inspired by a story my great-grandmother told me when I first started riding horseback. Selkies are beautiful horses that live in the sea, and come to shore to tempt people to try to catch them. If you bridle one, or get on its back (it will let you) it will drag you into the deeps with it, and there’s no escape.
Anj Marth was born in the early 70s, and grew up on the east coast of the US, near Philadelphia. She has since moved and traveled all over the country, by road. She currently lives in the Pacific Northwest and
considers it home. She works in a variety of mediums and has been a professional,licensed tattoo artist since the late 90s.
Her condensed portfolio can be seen here- Anj Marth Portfolio
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KODACHROME BOOTS
This here’s a tale bout widow Beall and me,
a very close call as far as I can see.
Nearly hung myself from a stout oak tree,
when she proclaimed she’s “a gonna marry thee”!
Now, widow Beall was a comely lass,
much appeal and a cute little…….well.
Dumb as a sheep and not much class,
spit fire temper and a whole lot of sass.
Not fix’n to marry, ner give’n a dang hoot,
rather ride me a bronc, raise hell and shoot.
Single I’ll stay, til I be a grizzled old coot,
and all this started o’er a Kodachrome boot.
A life riding single with a little spare loot,
I’d spent honest big money on Kodachrome boots.
With huge eagle wings, patterns fanciful stitched,
never reckoned on them boots a get’n me hitched.
Them knee high boots just glowed by day,
bright yellar and red with horned lizard inlay.
Strong ride’n heels built up real high,
with side seam piping, blue as the sky.
Chartreuse pull straps above scalloped top,
a rainbow of colors that seemed never to stop.
Big ole eagles, blueish green and dark taupe,
tawdry beauty from some boot makers shop.
Kodachrome boots made from the best of cowhide,
brash as a peacock cowboy on an afternoon ride.
Clean shirt, fresh hat, pants stuffed inside,
One of a kind boots, whispered ego and pride.
When corralled by the widow, I couldn’t break free,
She’d always look down and then I could see,
her eyes come alive, twinkling romance and glee,
It was them boots she truly loved and not really me!
I hatched an idea to get me outta her plan,
and git back on the trail as fast as I can.
Just need to convince my first cousin Stan,
widow Beall needs some lov’n and he is her man.
Got Stan a new Stetson, wild rag and new suit,
a bath, and some tonic, why he looked darn right cute.
And to sweet’n the deal, first time in the chute,
I gave him my pair of those kodachrome boots.
Marc Bradshaw– Though raised in the hills and hollows of central Kentucky, the southwest U.S. beckoned immediately after high school graduation. Over the next 50 years California’s San Joaquin valley and parts south of Bakersfield, in Santa Fe New Mexico, and currently Mesquite Nevada were home to life and
work.
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COME HAVEN OR LOW WATER
when we hear the recorded whoop of
a cowboy cello we’re not truant
only away from our home butte
on the Niobrara
we are the men of earth we have been
and when we reinvent the odor
of horse and hay we ride and forget
what larrupt us to town
there won’t ever be a flareout of
the world or a man-roping event
in the oil range we hold the dream to
on the Niobrara
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COWBOY OF THE SEA
His name is Keealani,
a cowboy of the sea.
Needs the wind upon his back,
that bucking ride to set him free.
He wrestles surf and ocean
gripping tight and holding strong,
waiting for horns blowing
counting seconds short and long.
Got his lasso round his ankle
his bolo tie, a string of shells,
biggest difference in this cowboy
is his fishy stinky smell.
No manure or dirt upon him,
just the residue of sand,
cause this cowboy’s ride is over
when he steps upon the land.
Heather M. Browne is a faith-based psychotherapist and recently emerged poet, published in the Orange Room, Boston Literary Review, Page & Spine, Eunoia Review, Poetry Quarterly, The Poetry Bus, Red Fez, The Muse, An International Journal of Poetry, Deep Water Literary Journal, Electric Windmill, Maelstrom, mad swirl, and Dual Coast. Her first chapbook, We Look for Magic and Feed the Hungry has been published by MCI. She just won the Nantucket Poetry Competition, a semi-finalist in Casey Shay chapbook competition, and has her first collection coming out this winter with Red Dashboard Publishing. Recently widowed from her love of 21 years, she lives with her 2 amazing teens, and can be found frolicking in the waves. Follow her: www.thehealedheart.net
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February 2013- Week 2
February 12, 2013
The Lonesome Cowboy
The lonesome cowboy, he’s out on a roam.
With thirty miles of fence to mend, and today’s grown old.
He finds an old cotton tree, says: “Guess here tonight I’ll be…”
He throws down his saddle and poke,
pulls out some hard tack, coffee and a smoke,
and the frayed-edged letter from Maria, the only one who wrote.
The lonesome cowboy, he’ll pass the night away,
The Hotel of a Million Stars, that’s where he likes to stay.
He don’t got no house, don’t pay no rent.
Out on the range, he’s so content.
A new moon’s on the rise, he’s searching the starry sky,
Thinking about Maria, and her boy, who’s got his eyes.
The lonesome cowboy he’s tired, he calls it a day.
Lays down his head to rest, he dreams the night away,
of Colorado, and pasture sweet, tall green grass, wading through waste deep.
On his cow horse with his cow dog, the cowboy drives ’em on,
up to Colorado from New Mexico, he’s dreaming on and on and on.
The lonesome cowboy, he’ll pass his life away.
He’ll be riding herd, and mending fence, he’ll even put up some hay.
He don’t like concrete, it kind of hurts his feet.
His cowboy boots don’t wear even on a street.
There’s just one thing that he wants. That’s to find the love he lost.
He’s whispering to the wind, and he sends her his kind thoughts.
Yea, he’s whisperin’ to the wind, and he sends her his kind thoughts.
Yea, he’s whisperin’ to the wind, and he sends her his kind thoughts.
Going to Maria, Maria…
Espero te, siempre, mi amor, mi amor perdido, Maria…
(I’ll wait for you, forever, my love, my lost love, Maria)
Arthur Davenport’s musical career spans 30 years of songwriting and
performance. He first started playing in the Washington D.C. folk
scene in the 1980’s and then moved on to the southwest scene during
the 90’s while living in New Mexico.
Arthur has been featured on National Public Radio performing his song,
“Lonesome Cowboy,” specially written for a cowboy music compilation
album entitled “‘Round-em Up!” Arthur now lives in Hawai’i where he
has been a house musician at the Hilo Palace Theater for the past ten
years.
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A LACY VICTORIAN VALENTINE
Sweet Elizabeth
Can you feel the ride and rise of the sun
This mid-February day bucking against
The rusted spur and crumbling saddle of Jack Frost?
We done got the heifers all calved
Mostly in the ice of January nights
I reached into more than one cow
Afraid with the strange pain spewing new life onto the prairie
Turning her calf to touch light.
The coyotes so full of after birth
Gave the wobbly newborns a free pass
To rise and walk with their mothers.
The sun is frisking more each day
And a tired cowboy can hope for a short ride its in warm rays
To ask you to wander with him a while behind the old barn
To that spot I know where the first buttercups each year
Slip up between the patches of melting snow
I put on my new jeans and a clean shirt and my Sunday go to meeting Stetson
Cleaned the mud off my boots and even shined them.
It shore would be nice if you could walk with me
In the mothering breeze near
That weather beaten barn
With its sides testifying for Mail Pouch tobacco
“Treat yourself to the best”
In fading red and yellow painted by a dead hand some half century ago
Persisting like my feelings for you as the years say adios
To yesterday’s yearlings.
I wanted to share this lacy Victorian valentine
My great granddaddy gave my great grandmamma
Here on the ranch,
He warn’t no better with words than I am
But the pink lace and the frills and the buttercups
Would talk his feelings for her a whole lot better than his wind chapped lips
And tongue rusted from the silence of riding alone.
Tyson West is a is a traditional western poet whose aesthetic continually shape shifts. He watches the Northwest with veiled and hooded lynx eyes, broods among the conifers and quarrels with Coyote. He has a degree in history, but writes a variety of poetry styles, and has written a series of poems around Spokane Garry who is our local magical Indian. One of Tyson’s Western poems was published in Spoke Magazine called “Floorshow”, which is based on a picture of a 1922 floorshow in the Davenport Hotel which photo you can find on line. He lives in the middle of Eastern Washington, which is definitely cowboy country. There are two Washingtons, Eastern and Western, and they are as different as a Mocah Mint Latte with organic goats milk and black boiled coffee at a chuck wagon fire.
June 2012- Week 2
June 11, 2012
THREE OF THE WEST
GARY ELDER
BILL HOTCHKISS
LEN FULTON
I rode with one of the men to meet
another on the Sacramento
and the trailers of winter rain cloud
were smoke to me
and up the valley
into the foothills to see a third
at a compound of wood smoke and in
a week I would think to kill myself
and among
big metacowboy men
of the West were Elder and Hotchkiss
and Fulton and easy toward one
another and with me
if not the
America behind the rains of
nineteen seventy-nine and I saw
the two that only time
the winter
I rode a truck with one and watched and
listened to who were men of the pen
and older than I and had done more
and in a week I
would think to go to Coronado
and kill myself and did not and of
the winter three
no one’s on the bay
or the river or in the foothills
and I the living am elsewhere but
the California part of me
is wondering what they will write next
not thinking
of Coronado Bridge
Rodney Nelson work began appearing in mainstream journals long ago; but he turned to fiction and did not write a poem for twenty-two years, restarting in the 2000s. So he is both older and “new.” See his page in the Poets & Writers directory
http://www.pw.org/content/rodney_nelson
for a notion of the publishing history. He has worked as a copy editor in the Southwest and now lives in the northern Great Plains. Recently, his poem “One Winter” won a Poetry Kit Award for 2011 (U.K.); it had appeared in Symmetry Pebbles. His “Upstream in Idaho” received a Best of Issue Award at the late Neon Beam (also England). The chapbook Metacowboy was published in 2011, and another title, In Wait, is due this year.
Dead Bolt
Purple thunderheads climb the horizon.
Maria sits alone in the kitchen, the house dark,
muggy as the front room at Taylor’s mortuary.
Randy starts to the refrigerator, but reconsiders,
easing into the chair opposite the wall.
She lets her thoughts rumble in her chest, distant,
building in the west, driven by the heat.
When finally she opens her mouth, sentences
slam against the windows. Her verbs
are wind, her proper nouns lightning.
He feigns indifference to storm. Her hair, matted
to her forehead, is splayed like rain beaten wheat.
You need to brush your hair, he interrupts.
She throws a salt shaker at him. It clatters
against the chili pot on the stove. He shoves
the table and grabs the pepper shaker.
She runs for the bathroom and slams the door.
He kicks her chair. It clatters across the kitchen floor,
and spins to a stop against the dog’s bed.
She dead bolts her heart; steel clicks against steel.
Al Ortolani is a teacher from Kansas. His writing has appeared in a number of periodicals, across the United States: *New Letters, New York Quarterly, The English Journal, The Midwest Quarterly *and others. He has three books of poetry, *The Last Hippie of Camp 50* and *Finding the Edge,*published by Woodley Press at Washburn University, and *Wren’s House*, recently released from Coal City Review Press in Lawrence, Kansas. He is active with the Kansas City Writer’s Place and an editor with *The Little Balkans Review*.
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